Electro Harmonix Bass9 Manual de Usario

Electro Harmonix No categorizado Bass9

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BASS9
Bass Machine
Congratulations on purchasing the Electro-Harmonix BASS9 Bass Machine.
Sporting a new algorithm maximized for transposing one to two octaves down
with superior dynamics and tracking, the BASS9 does for bass instruments what
the B9 does for organs, the KEY9 does for electric pianos and the SYNTH9 does
for analog synthesizers: now anyone with an electric guitar can make great
sounding bass! No special pickups are needed, just your favorite guitar, a BASS9
and maybe a bass amp.
WARNING: Your BASS9 comes equipped with an Electro-Harmonix 9.6DC-200BI power
supply (same as used by Boss® & Ibanez®: 9.6 Volts DC 200mA). The BASS9 requires
100mA at 9VDC with a center negative plug. Using the wrong adapter or a plug with the
wrong polarity may damage your BASS9 and void the warranty.
GETTING STARTED
For best results with the BASS9 and true bass realism a guitar amp will work — —
fine at lower volumes but if you want to get real loud for example when playing —
a gig we recommend plugging into a bass amp and, for that fingered bass sound, —
play your guitar with fingers rather than a pick.
Connect the supplied power adapter to the 9V power jack. Plug your instrument
into the INPUT jack. Connect your amp to the EFFECT OUTPUT jack. Set the DR Y
knob to minimum (fully counterclockwise) and set the other top row knobs to 12
o’clock. Select a preset (“ ” is a good starting point) and step on the PRECISION
footswitch to turn on the LED. Play your instrument and adjust controls to your
liking. For further inspiration, check out the BASS SUGGESTED FACTORY 9’s
SETTINGS insert. Make copies of the included BASS9 USER SETTINGS page to
keep track of your favorite sounds and settings.
CONTROLS AND I/O JACKS
DRY VOL KNOB
The DRY VOL knob controls the volume of the untreated instrument signal present
at the OUTPUT jack. The DRY knob control the volume of the EFFECT does not
DRY OUTPUT jack.
EFFECT VOL KNOB
The EFFECT VOL knob controls the overall volume of the selected patch at the
EFFECT OUTPUT jack.
CTR & CTRL 2 KNOBS L 1
See the preset descriptions on the following pages for details.
MODE KNOB
Turn the white knob to select a bass patch.
INPUT JACK
Plug your instrument or the output of another effects pedal into this ¼” jack. See
Tip 1 & 3 on the following page for more on connecting your BASS s 9.
DRY OUTPUT JACK
The DRY OUTPUT jack outputs the signal present at the INPUT jack through a
buffer circuit. In either EFFECT or BYPASS mode, the dry signal is always present
at the DRY OUTPUT jack.
EFFECT TPUT JACK OU
The OUTPUT jack outputs the mix set by the DRY and EFFECT volume EFFECT
controls. In BYPASS mode, EFFECT OUTPUT outputs the buffered bypass signal.
BYPASS FOOTSWITCH & STATUS LED
Press the BYPASS footswitch to toggle the EFFECT OUTPUT jack between buffered
BYPASS and E mode. The status LED lights when you are in EFFECT mode. FFECT
PRESET DESCRIPTIONS
1. PRECISION –An emulation of the popular bass guitar standard. CTRL 1
controls the sub-octave, mixing between 1 octave down (counter-clockwise
position) and 2 octaves down (clockwise position) CTRL 2 adjusts your tone .
which is tone control modeled after the original instrument’s .
2. LONGHORN –Inspired by the Danelectro® 6-string basses from the ‘50s,
this patch is great for copping baritone style tones. CTRL 1 adjusts the pitch
in half steps from -1 octave (CCW) to unity (CW). CTRL 2 controls a vintage
tremolo effect which increases in depth and rate as the knob is turned up.
Unique ring modulation effects are generated when the knob is turned past 2
o’clock. Also use the Longhorn preset to detune your guitar for metal!
3. FRETLESS –Emulation of both electric and upright fretless bass . CTRL 1 es
controls the buzzy growl sound of a fretless instrument. CTRL 2 adds a classic
Jaco-style chorus effect which intensifies as the knob is turned up Pro Tip: .
light palm mutes with your right hand produce a more realistic right sound. up
4. SYNTH –A big sounding bass synthesizer modeled after the classic Taurus
®
synthesizer. Use CTRL 1 to adjust the note range in four sections of synth’s —
the knob split between octaves and fifths. CTRL 2 — adjusts the synthesizer’s
envelope filter range. Higher settings of CTRL2 makes for a brighter and wider
filter sweeps.
5. VIRTUAL – A unique patch that allows you to adjust your bass’s body density
and neck length. CTRL 1 adjusts body density; higher settings produce longer,
piano-like sustain. CTRL 2 adjusts neck length, where the length increases as
the knob is turned clockwise .
6. BOWED – A classic bowed bass sound with adjustable attack. CTRL 1 controls
sub-octave mixing between 1 octave down (CCW) and 2 octaves down (CW).
CTRL 2 adjusts the bow’s attack speed, as you turn up the knob, the attack
speed slows The attack effect is fully polyphonic . .
7. SPLIT BASS –This patch provides a sub-octave effect on all notes below
F#3 the F# found at the fourth fret of the D-sting on a standard guitar. It —
does not pitch shift notes above G3. This allows a guitar player to play bass
lines with the lower two strings of a guitar and chords or melody with the
highest three strings. CTRL 1 adjusts bass t e by adding upper harmonics on
as the knob is turned clockwise CTRL 2 provides an envelope filter/auto-wah .
effect on all notes you play. As you turn CTRL2 up, the wah effect intensifies.
Pro Tip: turn up the DRY knob to hear your guitar signal.
8. 3:03 –A polyphonic emulation of one of the most sought-after vintage bass
synthesizers. CTRL 1 adjusts the envelope sweep depth or total range filter’s
while CTRL 2 sets the envelope speed. Pro Tip: use the guitar’s volume knob
as a sensitivity control for envelope triggering.
9. FLIP-FLOP – Inspired by the Electro-Harmonix Octave Multiplexer, this patch
provides a ‘70s style logic driven sub-octave generator, except the BASS9
tracks without glitches! CTRL 1 handles sub-octave, mixing between 1 octave
down (CCW) and 2 octaves down (CW). CTRL 2 adjusts the frequency of a
synth-like low-pass filter.
NOTES AND SPECIFICATIONS
Buffered bypass
  Input impedance: 1M
  Output impedance (for both output jacks): 500
Current draw: 100mA
TIPS ON GETTING OPTIMUM PERFORMANCE FROM THE BASS9
1. The BASS9 is generally best used as the first pedal in an effects chain. Place
distortion, modulation, delay, and reverb effects after the BASS9. The unit
will not perform well if placed in the effects loop of a guitar amp.
2. Much of the BASS9’s tone is dependent on your guitar’s original tone. Try
experimenting with different pickup positions and tone settings to add more
versatility to your bass sounds. Different picking styles such as finger and
thumb picking, picks, hammer-on, etc. will have a major impact on the bass
tone produced by the BASS9.
3. Avoid placing a distortion or overdrive in front of the BASS9, which could
muddy up the input signal and cause the tracking to be unstable. If you
want to add overdrive or distortion, place it after the BASS9.
All third party trademarks referenced by EHX remain the property of their respective
owners. Any references to such trademarks herein is simply to identify the corresponding
third party goods and is nominative fair use under the trademark law.

Especificaciones del producto

Marca: Electro Harmonix
Categoría: No categorizado
Modelo: Bass9

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