OSD Audio XMP100 Manual de Usario
Lee a continuación 📖 el manual en español para OSD Audio XMP100 (4 páginas) en la categoría Receiver. Esta guía fue útil para 6 personas y fue valorada con 4.5 estrellas en promedio por 2 usuarios
Página 1/4
OWNER’S MANUAL
XMP100
OsdAudio ®
775 Columbia St.,
Brea. CA92821
www.osdaudio.com XMP100 Owner’s Manual 51115
Congratulations on your purchase of the OsdAudio XMP100. ®
Please take a few moments to read this entire manual, and be sure to
retain this document for future reference. Please read and observe all
safety instructions detailed on page 2.
NOTE: If any part of this product is damaged or missing, please call your
dea diler or OsdAudio ® rectly at 888 779 4968.
Please read your ranty and retain your receipt and nal cartonwar origi
for possible future use.
For more information about OsdAudio ® electronics, speakers and
accessories please visit www.osdaudio.com
XMP100
Digital Stereo Power Amplifier
FEATURES:
• MAIN / INTERRUPT priority input switching
• Class D Amplification (89% Efficient)
• MAIN auxiliary output
• Speaker A/B switching
• Front panel Balance and Volume controls
• Signal sensing “Power On” and Trigger mode
SPECIFICATIONS
Stereo (8 ohm): 50W per nel, <1% THD+Nchan
Stereo (4 ohm): 75W per nel, <1% THD+Nchan
Bridged Mono (8 ohm): 160W, 1kHz, <1% THD+N
Frequency Response: 10Hz ~ 30kHz, -2dB/ +1dB
Signal to Noise Ratio: 100dB below 50W output into 8 ohms
w/20kHz Lowpass filter
Channel Separation: 65dB @ 1kHz, referred to 50W output
into 8 ohms
Input Sensitivity: 700mV input for rated 50W output
into 8 ohms
AC Power Consumption: 200W maximum
Net Weight: 4.7lbs / 2.2kgs
Gross Weight: 6.8lbs / 3kgs
2.15”
(55mm)
16.9” (430mm)
7.65”
(194mm)
• Rear mounted treble and bass controls
Bass/Treble Control: +/- 12dB @ 100Hz and 10kHz
DI GI TAL P OW ER
A M P L I F I E R
XMP100
D I GI TA L P O W E R
A M I E RP L I F
XMP100
XMP100
OWNER’S MANUAL
4
APPLICA TIONS
STEREO SETUP
In this ration, the configu mode switch is set to “Stereo”. nnect the ne oCo li ut jacks
from a stereo pre-amplifier or source to the MAIN input jacks of your XMP100.
Next c ne yo r speakers to the t als marked “Speaker A” observinon ct uermin g
prop pola paner ri Sele the “A” speakers sin the front ty. ct u g el zone selection
b ttons. nect a second (opt l) ir of speakers to the te als marked uCon iona pa rmin
“S aker B” f yo are c ectin 4 s akers to the M they m st be pe . I uonn gpe X P 010 u
8 ohm speakers only. Press A and B together to use both zones.
SETUP FOR MU L TIPLE SOURCE
In the m lt le s rce set p, a dist b ted io system is co ected to the uip ou u ri u aud nn
as a local zone li er via the MAIN p ts. lly the dist bamp fiin uNorma ri uted
aud audio system will be the io so rce for the . The disturib ted u audio is
then passed on to be sed by dit al zones or s b zones in the dist b ted uad ion uri u
system via the MAIN outputs.
Note: Main Out only duplicates what source is connected to the Main Input, ideal
for adding additional Amplifier or connect to Power Subwoofer.
The io o tp t of a local so rce, s ch as an M 3 layer, CD, television, aud u u u u P P
comp ter, etc., is cuonnected to the XM via the INTERRU TIN G pP 010 P in uts, and
whenever the local so rce is acutive i s al ll take rity over the ts ign wi prio
dist b ted a dio al ent at MAIN pri u u sign pres in ut . However, the distributed io saud ignal
will still be sent at the MAIN p t. In this mst ce the io o tp t of the pre in u circu an aud u u
local source will be rd via the M . Once the local s rce is t ed hea X P 010 ou urn
off or m ted, the Mu X P 010 ll awi utomatically switch back to the distributed dio au
system as an audio s rce, ass n the local s rce ns active. T re ou umi g ou remai in he
is a ay of p to 6 seconds del u when switching from INTERRUPTING input back
(From Pre-amp or Receiver Line Out)
(From Pre-amp Line Out)
(From Local Source Line Out) (Out to Additional Zones)
L
R
L
R
Limited Warranty
OsdAudio ® warrants its amplifier p r oducts against defects in materials
and workmanship for a limited period of time. For a period of two years f r om
date of original pu r chase, we will r epair or r eplace the p r oduct, at our option,
without cha r ge for parts and labo r . Customer must pay all parts and labor
cha r ges after the limited warranty period expi r es. The limited warranty period
for factory r efurbished p r oducts expi r es after ninety (90) days f r om date of
original pu r chase.
This limited warranty applies only to pu r chases f r om authorized OsdAudio ®
elect r onics r etailers. This limited warranty is extended only to the original
pu r chaser and is valid only to consumers in the United States.
Consumers a r e r equi r ed to p r ovide a copy of the original sales invoice f r om
an authorized OsdAudio ® dealer when making a claim against this limited
warrant y . This limited warranty only covers failu r es due to defects in materials
or workmanship that occur during normal use. It does not cover failu r es
r esulting f r om accident, misuse, abuse, neglect, mishandling, misapplication,
alteration, faulty installation, modification, service by anyone other than
AudioSou r ce®, or damage that is attributable to Acts of God. It does not
cover costs of transportation to OsdAudio ® or damage in transit. The
customer should r etu r n his defective p r oduct, f r eight p r epaid and insu r ed, to
OsdAudio ® only after r eceiving a Retu r n Authorization.
This warranty will become void if the serial number identification has been
wholly or partially r emoved, alte r ed or erased. Repair or r eplacement under
the terms of this warranty does not extend the terms of this warrant y . Should
a p r oduct p r ove to be defective in workmanship or material, the consumer ’ s
sole r emedies will be r epair or r eplacement as p r ovided under the terms
of this warrant y . Under no ci r cumstances shall OsdAudio ® be liable for
loss or damage, di r ect, consequential or incidental, arising out of the use of
or inability to use the p r oduct. The r e a r e no exp r ess warranties other than
described above.
to MAIN inputs.
775 Columbia St.,Brea. CA92821
MX P 010
MX P 010
x x x x x x x
1 2 0 V ~ 6 0 H z / 2 0 0 W
XMP100
OWNER’S MANUAL
3
1. Power Switch
Switches the XMP100 on or o f f. A red LED indicates connection to AC power
while in standby mode. Turns green indicating audio signal is present.
2. Speaker Selector
Selects speaker zone A or B. For A + B zones push both buttons in.
3. Balance
Fades speaker output between the Right and Left Channels
4. V olume
Adjusts amplifier volume.
FRONT P ANEL CONTROLS
6. Interupting Line Input
This is the sec ry uonda inp t, use MAIN IN for y r ou mai inpn u t.
INTE URR PT G IN INPUT can be used if a second source is desired and
takes r ove whe ignan s l is present and has at least a 5mV level.
W n t e is no l, or a s l with leshe her signa igna s than 5mV level, the amp
switc s back to MAIN IN after a he bri delef ay.
7.
9.
Main Input/Output
10.
11.
Mode Select Switch
Switches the amplifier from Stereo mode to Bridged mode.
12.
13.
AUTO ON Select Switch
Power can be turned on and o manually ia the switch on the front panel ff v
or aut at y by om icall signa sel ns gin . Set it to NORMAL for manual power on/off.
Se to AU for s l s g the p l t n on n o s l is t TO igna sen in ; am wil ur whe audi igna
detected at the inputs. NOTE: The front panel power switch must be in the
ON position (pushed in) for the AUTO ON featu
r re to operate.
Speaker Zone A Output
Speaker output terminals for zone A. Minimum impedance: 8 ohm bridged
or 4 ohm stereo.
Speaker Zone B Output
Speaker output terminals for zone B. Minimum impedance: 8 ohm bridged
or 4 ohm stereo.
Power Cord
This i er is coampl fin d for at n at 5V rth A ica) fuse figure oper io 11 (No mer . A
located int y otect n f m f lt it n Refer to if d ernall pr io ro au cond io s. qual ie
ser ice rs l s d this d to be aced vpe one houl nee repl .
REAR PANEL CONTROLS
Figu r e 1. F r ont Panel
Left Right
Balance Volume
SPEAKERS
A B
4
3 2 1
Min Max
POWER
5 8 10
12
13
Figu r e 2. Rear Panel
Connect
Receiver
Here
11
MAIN IN s d be used a the ry” or n u for the a i er. houl s “prima mai inp t mpl fi
Conne ouct y r r or n s ce to t s u Use MAIN OUreceive mai our hi inp t. T to ss pa
MAIN IN signal to another amplifier.
If you will be connecting one or two pair of speakers to the amplifier, place
the switch in the “St ” sit n. N For g 2 s of rs ereo po io OTE: playin pair speake
(A plus B), make sure each s aker has an nce of 8 pe impeda ohms or ater. gre
W n sehe t to “Bridged mod” e, the amplifier is a e singl channel mono amplifier.
NOTE: The XMP100 s 0W in supplie 16 bridge modd e, P e leas verify that you r
speakers e car apable of handling such power to av d possoi ible damage!
For st o outpuere t c econn t the spe erak ’s positive (red) terminal to the iampl fier’s
pos (red ermina an speaker’ neg (bla minaiti e v) t l, d the s ati e vck) ter l to the
amplifier’s negative (black) terminal for each Right and Left speaker.
N E:OT To pre envt s ic at n in yon degrad io our speaker install ioat n, total s aker pe
wire resistance s d be kept w 0.5 mshoul belo oh . This table li recsts ommended
speaker wire gauge versus wire run length.
80’ or Less – 16 Gauge 2-Cond. CL3/FT4 Rated
80’ to 150’ – 14 Gauge 2-Cond. CL3/FT4 Rated
150 or more – 12 Gauge 2-Cond. CL3/FT4 rated
Place the “MODE” switch in the “BRIDGED” posit n d use both red io an
t l to c e to the s aker. e the s ak ’s positi e ed) ermina s onn ct pe Conn ct pe er v(r
t l to the s d (+) t l noted xermina amplifier’ re ermina ne t to the bridging mark, d an
the s ak ’s ati e ack) t l tope er neg v(bl ermina the i ’s ampl fier unmarked positi e v
N E:OT Only e z e (A or B) can be d. Do not att pon on bridge em t to bridge both
A and B speaker terminals! This may result in a lower impedance than the
ampl igne an damag ou ampl mii er is desfid for d may e y r i er The fi. nimum
impedance for the total load connected in bridged mode is 8 ohms.
STEREO MODE
BRIDGED MODE
BRIDGED MODE- MONO APPLICATION
For d e, g ht d Le t et r as o outpu g bridge mod playin Rig an ft og he mon t, plu
RCA c s in to ht d Leable Rig an ft RCA at MAIN ut. inp
Set the MODE switch to BRIDGED d f w the st ctions an ollo in ru
for d s r c ct n in the ER ERMINALS sect n of bridge peake onne io SPEAK T io
this manual.
SPEAKER TERMINALS - STEREO MODE
SPEAKER TERMINALS - BRIDGED MODE
5. Bass and Treble Controls
These controls can adjust bass and treble frequencies +/- 12dB at 100Hz
and 10kHz.
6
8. 12V Trigger
A w the MP to be d on by ot r ect i or to erllo s X 100 powere he el ron cs pow
on othe ele ronir ct cs via a 3.5mm i e g c e. min phon plu abl
9
7
(red ermina) t l.
NOTE: Use Class 2 wiring for speaker connections.
To wire the output connector: 1. Strip the insulation off each speaker wire to
expose 3/8" (10 mm) of bare conductor. 2. Unscrew the output terminal binding
post several twists, insert each wire into the correct terminal. 3. Tighten binding
post by twisting clock-wise until it is firmly clamping the speaker wire.
Warning: While the amplifier does self-protect under most improper output
conditions, misconfiguration of loudspeaker mode and incorrect connection of
loudspeakers could damage connected loudspeakers and/or amplifier.
Please refer installation to a qualified installation professional, and always
check state and local electrical codes when installing.
CLASS 2
WIRING
775 Columbia St.,Brea. CA92821
D I TA L P OW E RG I
A M RP L I F I E
XMP100
Especificaciones del producto
Marca: | OSD Audio |
Categoría: | Receiver |
Modelo: | XMP100 |
¿Necesitas ayuda?
Si necesitas ayuda con OSD Audio XMP100 haz una pregunta a continuación y otros usuarios te responderán
Receiver OSD Audio Manuales
24 Septiembre 2024
17 Septiembre 2024
17 Septiembre 2024
17 Septiembre 2024
17 Septiembre 2024
2 Septiembre 2024
1 Septiembre 2024
1 Septiembre 2024
31 Agosto 2024
31 Agosto 2024
Receiver Manuales
- Receiver Sony
- Receiver Philips
- Receiver Garmin
- Receiver JVC
- Receiver JBL
- Receiver Kenwood
- Receiver Onkyo
- Receiver Pioneer
- Receiver Yamaha
- Receiver Alecto
- Receiver Alpine
- Receiver Advance Acoustic
- Receiver Amazon
- Receiver Arcam
- Receiver Ampeg
- Receiver Amplicom
- Receiver Amiko
- Receiver Strong
- Receiver Sharp
- Receiver Silvercrest
- Receiver Nedis
- Receiver Pyle
- Receiver Caliber
- Receiver Vox
- Receiver Hilti
- Receiver Renkforce
- Receiver Bush
- Receiver Sencor
- Receiver Vivanco
- Receiver Blaupunkt
- Receiver Manhattan
- Receiver NAD
- Receiver Harman Kardon
- Receiver Crunch
- Receiver Tripp Lite
- Receiver Vision
- Receiver Imperial
- Receiver Toa
- Receiver Roland
- Receiver DataVideo
- Receiver Axis
- Receiver ART
- Receiver Summit Audio
- Receiver Hifonics
- Receiver Denon
- Receiver Vonyx
- Receiver Sennheiser
- Receiver Elektrobock
- Receiver Chamberlain
- Receiver Avalon
- Receiver Thorens
- Receiver Sonance
- Receiver LD Systems
- Receiver Technisat
- Receiver Bogen
- Receiver Technics
- Receiver Fenton
- Receiver Cisco
- Receiver Krüger And Matz
- Receiver Matrox
- Receiver Kicker
- Receiver Bose
- Receiver Clarion
- Receiver Mackie
- Receiver Teufel
- Receiver Marantz
- Receiver Mac Audio
- Receiver Rega
- Receiver Pro-Ject
- Receiver Kathrein
- Receiver Denson
- Receiver RCF
- Receiver Renegade
- Receiver Peavey
- Receiver Dual
- Receiver Boss
- Receiver McIntosh
- Receiver Behringer
- Receiver Roksan
- Receiver MB Quart
- Receiver Electro-Voice
- Receiver Valcom
- Receiver Astro
- Receiver Focal
- Receiver Focusrite
- Receiver Auna
- Receiver Samson
- Receiver Rupert Neve Designs
- Receiver Shure
- Receiver Sherwood
- Receiver QTX
- Receiver Konig
- Receiver Valueline
- Receiver Rotel
- Receiver Icom
- Receiver Chandler
- Receiver Teac
- Receiver RDL
- Receiver JL Audio
- Receiver Magnat
- Receiver Chord
- Receiver Metronic
- Receiver Fiio
- Receiver Anthem
- Receiver Dynacord
- Receiver QSC
- Receiver Iriver
- Receiver Audac
- Receiver Marmitek
- Receiver Delta Dore
- Receiver Lanzar
- Receiver Hertz
- Receiver Zoom
- Receiver Marshall Electronics
- Receiver Hartke
- Receiver Jensen
- Receiver Omnitronic
- Receiver Humax
- Receiver Vaddio
- Receiver Gira
- Receiver Jung
- Receiver Golden Age Project
- Receiver Sangean
- Receiver Apart
- Receiver Line 6
- Receiver Pinnacle
- Receiver Cambridge
- Receiver Radial Engineering
- Receiver ATen
- Receiver Bluesound
- Receiver Integra
- Receiver Fusion
- Receiver Gefen
- Receiver Scosche
- Receiver Vivotek
- Receiver Mooer
- Receiver Skytec
- Receiver Luxman
- Receiver Infinity
- Receiver DBX
- Receiver Kopul
- Receiver Monitor Audio
- Receiver Monoprice
- Receiver Ibiza Sound
- Receiver Yorkville
- Receiver Axton
- Receiver Proel
- Receiver HQ Power
- Receiver Tangent
- Receiver Edision
- Receiver Blackstar
- Receiver Crestron
- Receiver RME
- Receiver Soundstream
- Receiver Adastra
- Receiver Power Dynamics
- Receiver Music Hall
- Receiver Citronic
- Receiver Mercury
- Receiver Definitive Technology
- Receiver Fender
- Receiver Formuler
- Receiver SPL
- Receiver Monacor
- Receiver Lindell Audio
- Receiver Smart-AVI
- Receiver StarTech.com
- Receiver HUMANTECHNIK
- Receiver Crest Audio
- Receiver Grace Design
- Receiver Primare
- Receiver Xantech
- Receiver IFi Audio
- Receiver Ferguson
- Receiver Wet Sounds
- Receiver MEE Audio
- Receiver DAP Audio
- Receiver Extron
- Receiver Ibanez
- Receiver Blustream
- Receiver Match
- Receiver Scansonic
- Receiver Helix
- Receiver EA
- Receiver Crown
- Receiver Kogan
- Receiver Speco Technologies
- Receiver Kemo
- Receiver Morel
- Receiver Avantree
- Receiver CE Labs
- Receiver Accell
- Receiver Jolida
- Receiver Ecler
- Receiver Ashdown Engineering
- Receiver Mtx Audio
- Receiver Ground Zero
- Receiver Aquatic AV
- Receiver Parasound
- Receiver Selfsat
- Receiver Kramer
- Receiver CYP
- Receiver Topp Pro
- Receiver AudioControl
- Receiver Cyrus
- Receiver Dimavery
- Receiver LinksPoint
- Receiver Esoteric
- Receiver Markbass
- Receiver Atlas Sound
- Receiver NUVO
- Receiver Pyramid
- Receiver LEA
- Receiver SureCall
- Receiver Ram Audio
- Receiver Phonic
- Receiver Koda
- Receiver Lectrosonics
- Receiver Sound Devices
- Receiver Musical Fidelity
- Receiver Triangle
- Receiver Phoenix Gold
- Receiver Audiofrog
- Receiver Memphis Audio
- Receiver CyberData Systems
- Receiver AMX
- Receiver BZBGear
- Receiver Rolls
- Receiver Stewart
- Receiver Mosconi
- Receiver Crest
- Receiver TechLogix Networx
- Receiver Fosi Audio
- Receiver A-NeuVideo
- Receiver S.M.S.L
- Receiver NuPrime
- Receiver Canor
- Receiver Advance
- Receiver Technical Pro
- Receiver VMV
- Receiver PureLink
- Receiver Glemm
Últimos Receiver Manuales
24 Septiembre 2024
24 Septiembre 2024
24 Septiembre 2024
24 Septiembre 2024
24 Septiembre 2024
23 Septiembre 2024
23 Septiembre 2024
23 Septiembre 2024
23 Septiembre 2024
23 Septiembre 2024