Audix ADX51 Manual de Usario
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ADX51
OVERVIEW:
The ADX51 is a professional pre-polarized condenser microphone
used for stage, studio and broadcast applications. The ADX51 is
known for its clear, accurate response and exibility to handle close
or distance miking for a wide variety of acoustic instruments.
Characterized with a uniformly controlled cardioid polar pattern,
the ADX51 is designed to capture the acoustics of the instrument
being miked while at the same time isolating it from the rest of the
instruments on stage. With a wide frequency range of 40 Hz - 18
kHz, the ADX51 also features a 14 mm gold vapor diaphragm and a
-10 dB pad and bass roll-off lter.
The ADX51 is very easy to position, durable and manufactured
with high standards and tight tolerances. Roadworthy construction
includes a precision machined brass body, black e-coat nish,
laser etched model and serial number, steel mesh grill, gold XLR
connector and a tension-t heavy duty nylon mic clip. FEATURES:
Excellent multi-purpose instrument microphone
Can be used for close or distance miking
Machined brass housing
-10 pad bass roll-off filter
Roadworthy construction
APPLICATIONS:
Acoustic instruments
Cymbals, drum overhead
High hat, percussion table
Group vocal, spoken word
Ambient room miking
Audience mics for ear monitors
SUPPLIED ACCESSORIES:
Tension-fit heavy duty nylon mic clip (DCLIP)
External Foam Windscreen (WS-81)
Carrying pouch (P1)
OPTIONAL ACCESSORIES:
DFLEX - All purpose percussion clamp
DVICE - Spring loaded rim mount clamp
DCLAMP - Tension rod mic clamp
CBL-20 - 20’ XLR - XLR mic cable
CBL-DR25 - 25’ right angle XLR-XLR mic cable
SMT-25 - Shockmount suspension clip
APS-2 - Two-channel phantom power supply
CONDENSER INSTRUMENT MICROPHONE
ADX51
Instrument Condenser
ADX51 on SMT-25 DCLIP DFLEX APS-2 CBL-20
SPECIFICATIONS: ARCHITECTS AND ENGINEERS SPECIFICATIONS:
The microphone shall be a back plate pre-polarized condenser with a cardioid polar pattern. The
microphone shall operate on 9-52 Volts phantom power and the nominal output impedance shall be
equal to 100 ohms at 1 kHz. The microphone shall have switches for -10 dB pad and bass roll-off
lter and shall have a sensitivity of 17 mV / Pa at 1 kHz. The microphone shall have a maximum SPL
level of 132 dB with a THD of 0.5%. The microphone shall be machined from brass with dimensions
of 19.5 mm in diameter and 160 mm in length. The microphone shall be the Audix ADX51.
OPERATION:
The ADX51 will NOT operate without phantom power voltage (48 Volts recommended) which is
available on most professional mic preamps and mixing devices. If phantom power is not available
on your equipment, you will have to purchase a phantom power supply (such as the Audix APS-2).
Avoid plugging or unplugging the microphone from a PA system unless the channel is muted or the
volume of the system is turned down. Failure to do so may result in a loud “popping” noise which
could seriously damage the speakers in the PA system.
Pad and Roll-Off: These recessed switches are located towards the bottom of the mic. You will
need either a miniature screw driver or a pen to move them down (engaged) or up (not engaged).
Pad: The switch on the lower left side of the mic is a -10 dB pad. This means you can reduce the
input level of the mic by 10 dB. This is very helpful for miking extremely loud instruments (guitars,
drums, horns) that may tend to drive the mic into distortion. Note that the feature is active when the
switch is in the down position.
Bass Roll-Off: This feature gently rolls off the bass frequencies starting at 150 Hz which is very
helpful in reducing boominess for voice or instrument. Note that the feature is active when the switch
is in the down position.
USER TIPS:
The ADX51, an excellent choice to mic any kind of acoustic instrument, has a cardioid pick-up
pattern which helps to eliminate sound from other instruments on stage from “bleeding” into the
microphone. However, the ADX51 is much more sensitive than a dynamic and will pick-up sound
from a greater distance. The acoustic nature of the instrument being miked along with how loud it is
will determine how far the microphone should be from the sound source. For example, the ADX51
can be placed 1-2 feet above the cymbals of a drum kit and still pick up plenty of sound , whereas
for a high-hat, the mic will need to be placed within 4-6 inches to be effective.
Allow a distance of 2-3 feet between microphones to avoid phase issues.
*Further miking techniques may be found on our website at www.audixusa.com
www.audixusa.com Call: 503-682-6933 Fax: 503-682-7114
Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070
FREQUENCY / POLARS:
SERVICE AND WARRANTY:
This microphone is under warranty for
a period of 3 years from any and all
manufacturing defects. Should your
microphone fail in any way, please
contact the Audix Service department
at 503-682-6933. A Return Authoriza-
tion number is required before returning
any products.
Transducer Type Pre-polarized condenser
Frequency Response 40 Hz - 18 kHz
Polar Pattern Cardioid
Output Impedance 100 ohms
Sensitivity 17 mV / Pa @ 1k
Capsule Technology Black plate electret
Off Axis Rejection >15 dB
Maximum SPL ≥132 dB
Power Requirements 9-52 volts phantom
Connector 3 pin gold plated
male XLR connector
Polarity Positive pressure on diaphragm
produces positive voltage on pin
2 relative to pin 3 of output
XLR connector
Housing / Finish Brass /
Black E-Coat
Weight 184 g / 6.5 ounces
Length 160 mm / 6.3 inches
To register your
microphone, please visit
www.audixusa.com
CARE AND MAINTENANCE:
The ADX51 is manufactured to exacting
specs with roadworthy construction. However,
the capsule is highly sensitive and should be
handled with care. Avoid extreme temperatures
and be sure to store your microphone in the
pouch provided when not in use. Moisture of
any kind can adversely affect the sound and
performance of your microphone.
***All specications subject to change without notice.
DIMENSIONS (mm):
ADX51
Especificaciones del producto
Marca: | Audix |
Categoría: | Microfoon |
Modelo: | ADX51 |
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