Korg N264 Manual de Usario
Korg
Sintetizador
N264
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N264 - 76 Key Music Workstation
How can I create my own Combinations?
How can I change the tempo in the middle of the song?
What are the bank change values?
Can I route sounds to the Individual outputs?
Basics of Combination Writing for N364/N264, X3/X2/X3R
As there are potentially limitless possibilities when writing a Combination, the intent of this document
is not to serve as a step by step, but rather to familiarize the user with the tools used in creating
typical Combination setups. We will first discuss the basic elements that create such setups as Splits
and Layers, then apply those basics to create a simple combination, which will illustrate both a split
and layer, consisting of a bass on the left hand and piano and strings on the right.
Let's start with the basics:
- A Combination is a setup that combines 2 or more Programs, hence the name.
- In Combination Edit Mode, you can change settings for a Combination. You can get to the
Combination Edit Mode by pressing the COMBI button, then the EDIT button. You can move up and
down through the various screens of this mode with the up and down directional buttons, located to the
right of the screen.
- A Combination has 8 Timbres, or areas that can hold a sound.
- You can select one sound for each Timbre, but it is not necessary to use all eight. You can assign a
sound to a Tambre on screen 1A in the Combination Edit Mode.
- Timbres can be switched On or Off . If a Timbre is on, you can hear the sound on it. If it's off, the
Timbre will not play, even if a sound has been selected. The best way to turn on a Timbre is to set its
"channel" to "1G". This is done on screen 3a of the Combination Edit Mode.
- You can place sounds either on top of one another (A Layer), or set them to play on specified areas of
the keyboard (A Split). In other words, if you assign two sounds over the same range of keys, both
sounds will be heard when you play in that range. This is the characteristic of a Layer. If two different
sounds reside over different areas of the keyboard, and never cross each other, it's a Split.
- Keep in mind that each Timbre includes a separate set of information for the sound it carries. Things
like Pitch, Transpose, Volume and Pan. These aside, the two most important settings for our purposes
are called Key Window Top and Key Window Bottom, which are located on screens 4a and 4b in the
Combination Edit Mode. Think of Key Windows as barriers for where a sound can be heard:
- When playing, a Timbre won't sound ABOVE the note selected in Key Window Top.
- When playing, a Timbre won't sound BELOW the note selected in Key Window Bottom.
- In other words, setting a Key Window Top and Bottom for any given Timbre tells the keyboard that
only those notes and what's in between them will play the sound on that Timbre. This gives you the
flexibility to decide what range of the keyboard a sound will play on.
- You can set the Key Windows precisely by key, giving you any possibility of ranges for any given
Timbre. Below is a 61 keyboard, with the name for each key, as it would appear in the Key Windows:
- Each key has a note and a number for which octave it appears in. So, let's say you wanted the first
Timbre to play only on the first two octaves. You'd set the Key Window Bottom to C2, and the Key
Window Top to C4. Now, the first Timbre will only play on C2, C4 and the key span in between…
Setting Timbre two's Key Window Bottom to D4 and Top to C7 will cover the rest of the keyboard with
another sound. Now you have a Split!! Setting up Timbre three with the same Key Windows as Timbre
two, will play the two sounds together… a Layer!!!
Now that you have the basics, let's apply what we've learned to create a Combination. First, we'll get
into the edit mode:
1. Press the COMBI button to enter the Combination mode.
2. Press the EDIT button to enter the Combination Edit mode.
Next, we'll initialize the Combination, so that all of the parameters are reset:
1. Press the 8 button on the left-hand side of the keyboard. (It's also marked "Effect Speed").
2. Push the up directional button on the right-hand side of the screen two times. This will bring you to
page 8C - "Init Combi".
3. Press the YES button on the left-hand side of the screen twice. This will reset the Combination for
editing.
Now, we'll select the sounds for our setup:
1. Press the "1" button on the left-hand side of the unit (It's also marked "Octave Type"). This will take
you to screen 1A "Program 1-4". Here, you can see and select sounds for the first four Timbres.
2. Using the value slider or YES/NO buttons, set the first Tambre to "A06" (NuFretless). This will be our
Bass sound for the left hand.
3. Press the right directional button once to highlight the sound for the second Timbre.
4. Using the value slider or YES/NO buttons, set the second Timbre to "A01" (N Piano). This will be our
first sound for the right hand.
5. Press the right directional button once again to highlight the sound for the third Timbre.
6. Using the value slider or YES/NO buttons, set the third Timbre to "A05" (N Strings). This will be our
other sound for the right hand.
Next, we'll turn those three Timbres on:
1. Press the "3" button on the left-hand side of the unit (It's also marked VDF EG Octave) This will take
you to screen 3A "Channel". The first Timbre should already be set to "1G".
2. Timbre three should be highlighted from selecting the sounds on the previous screen. Press the left
directional button once, so that the second Timbre's channel setting is highlighted.
3. Using the value slider or YES/NO buttons, set the second Timbre to "1G".
4. Press the right directional button once again to highlight the third Timbre.
5. Using the value slider or YES/NO buttons, set the third Timbre to "1G".
Now, we'll tell each sound where it should play. Here's how it's going to be set up:
Especificaciones del producto
| Marca: | Korg |
| Categoría: | Sintetizador |
| Modelo: | N264 |
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