Yamaha EMX2 Manual de Usario
Yamaha
consola de mezclas
EMX2
Lee a continuación 📖 el manual en español para Yamaha EMX2 (24 páginas) en la categoría consola de mezclas. Esta guía fue útil para 13 personas y fue valorada con 4.5 estrellas en promedio por 2 usuarios
Página 1/24
Page 1
POWERED MIXER
Introduction
Thank you and congratulations on your purchase of the Yamaha Powered Mixer EMX2.
Please read this manual thoroughly to get the most out of the product and ensure long-
term, trouble-free use. After reading this manual, keep it readily available for future
reference.
* Please read the “Precautions” on the back.
Main Features
r 500-watt power amplier for versatility in a wide variety of performance applications
r 10-channel mixer with four mono mic/line and three stereo line input channels, supporting
a wide range of inputs
r Yamaha’s high-quality SPX reverb, providing optimum processing for instruments or
vocals
r Feedback Suppressor, which automatically cuts and prevents undesirable feedback noise
r Independent three-band equalizer on each channel for tonal adjustment and sound
control
Accessories (Please check that they are included with
your powered mixer.)
r AC power cord (2 m)
r Technical Specications (English only): Includes general specications, input/output
characteristics, a block diagram, dimensions, and a jack and plug list.
r Owner’s Manual (this leaet)
Quick Start Guide
Setup
1 Make sure that all switches, including the mixer’s power switch
[ ],
are not on
(N).
Use the mixer with the operating panel facing up.
Connecting speakers, microphones, instruments,
and audio devices
2 Refer to the connection example in the illustration below.
Connection Example
Set to “8Ω” if speakers
are connected as
shown in the gure
above.
Micro-
phones
Micro-
phones
Electric
acoustic
guitar
Electric
guitar
Keyboard
Audio
device
Portable
audio
player
Footswitch
(Yamaha FC5)
See “Precautions for
Connecting the
Speakers” below.
Passive speakers
(Impedance: 8 Ω)
Precautions for Connecting the Speakers
6 Ω
Set to “4Ω.”
Parallel connection
8 Ω 8 Ω
Set to “4Ω.”
r You must set the [IMPEDANCE SELECT] switch correctly
according to the connection method and number of
speakers. Be sure that the impedance of your speakers is
no less than the impedance that you set on the mixer.
Setting this switch incorrectly could result in damage to
the mixer/your speakers.
Actual speaker impedance* [IMPEDANCE SELECT] switch
4 Ω to less than 8 Ω Set to “4Ω.”
8 Ω and over Set to “8Ω.”
If you are unsure of the
impedance of the connected
speakers
Set to “4Ω.”
* For parallel connections: synthetic impedance
r Make sure to insert the speaker cables all the way inside
until secure. Failure to do so may result in damage to your
equipment.
r Use speaker cables with an insulated-housing connector.
Getting sound to the speakers
3 Connect the included power cord.
First, connect it to the mixer’s [AC IN] jack, then to
a power outlet.
NOTE Reverse the order when removing the power cord.
Equalizer
4 Turn the mixer’s
[LEVEL] controls (white
knobs) and [MASTER
LEVEL] control (red
knob) to the minimum
(zero). Also, set the
equalizer controls
(green knobs) to the
center “D” or “MUSIC”
position.
5 Set the [ LINE] switch NMIC/ O
to the “ NMIC” position for
microphone connection, and to
the “ OLINE” position for
connection of an instrument or
audio device.
NOTE If you are using condenser microphones,
turn on the [PHANTOM (CH1/2)] switch.
6 Turn on the power of the
connected sound source (if
applicable), then the mixer.
The [POWER] LED lights.
WARNING
To avoid any loud, unexpected noise from the
speaker, first turn off the power to the mixer, then
the connected sound source (such as an
instrument or audio device).
7 For channels to which a microphone, instrument, or audio device
is connected, set [LEVEL] to the “ ” position. D
8 While outputting sound from the microphone, instrument, or
audio device, slowly turn the [MASTER LEVEL] to the right until
you reach the optimal volume.
9 Adjust [LEVEL] on each channel as necessary to set the volume
balance between the microphone, instrument, and audio device.
AC IN
Controls and Functions
Applying Reverb
The EMX2 features a built-in reverb processor that is in the same league as our famed
SPX effect processor series. This reverb lets you simulate the acoustics of different
performance environments, such as concert halls and small clubs, and add warm,
natural ambience to your vocals or instrument performance.
1 Press the [REVERB] button to turn it on.
The LED lights when REVERB is on.
2 Turn the REVERB [TYPE/TIME] control to the
desired reverb type and time (length).
Turning the control to the right lengthens the time of the
selected reverb type.
Short
Long
Making optimum volume settings
When the volume is too loud
Turn the [LEVEL] control to the minimum (zero). Set the
[ N OMIC/ LINE] switch to the “ LINE” position, then slowly O
raise the [LEVEL] control until the desired volume is reached.
When the volume is too soft
Turn the [LEVEL] control to the minimum (zero). Set the
[ N OMIC/ LINE] switch to the “ MIC” position, then slowly N
raise the [LEVEL] control until the desired volume is reached.
3 Use the [REVERB] control to adjust the reverb amount of the
corresponding channel.
If necessary, repeat steps 2 and 3 to determine the optimum reverb setting.
1
23
1 Mic/Line input jacks (channels 1– 4)
Connect microphones, guitars, electronic musical instruments
or audio devices. Channels 3 and 4 provide combo jacks that
support both XLR and phone plugs.
XLR Phone
2 [N OMIC / LINE] switches (channels 1– 4)
For low-level signals (including microphones), set the switch to
the “ NMIC” position. For high-level signals (including
electronic instruments and audio devices), set the switch to the
“ OLINE” position.
3 [Hi-Z] switch (channel 4)
This switch is used when connecting a device directly to the
mixer without a DI (direct injection box) for example, —
instruments with passive pickups, such as an acoustic-electric
guitar or electric bass without battery. This function is effective
only for the phone jack input.
4 [LINE] input jacks (channels 5/6, 7/8, 9/10)
Connect line-level devices such as electronic instruments,
acoustic-electric guitars, CD players, and portable audio
players. These jacks support phone, RCA-pin, and stereo-mini
plugs.
RCA-pin Stereo-mini
NOTE For the channel 7/8 input, if both phone and RCA-pin jacks are
used at the same time, the phone jack will take priority. For the
channel 9/10 input, if both phone and stereo-mini jacks are
used at the same time, the stereo-mini jack will take priority.
The signal from the device connected to another jack will be
muted.
5 [MONITOR OUT] jacks
These are for connection to a powered speaker for monitoring
purposes, and output a mix of the signals from channels 1 to
9/10. You can adjust the output level using the [MONITOR OUT]
control . If only the [L (MONO)] jack is used, the signals from !
the L and R channels are mixed and output.
6|[SUBWOOFER OUT] jack
This is for connection to a powered subwoofer, and outputs a
mono signal. If this jack is in use, the low frequencies below
120 Hz to the [SPEAKERS L/R] jacks will be cut. The output
level is linked to that of the [MASTER LEVEL] control ( ).C
7 [REVERB FOOT SW] jack
This is for connection to an unlatched-type footswitch such as
the Yamaha FC5 — useful for solo performers, since you can
toggle the reverb on and off as needed with your foot.
8 [SPEAKERS L/R] jacks
Use commercially available speaker cables to connect the
speakers. These jacks support TS phone plugs.
9 [IMPEDANCE SELECT] switch
Set this switch to match the impedance of the connected
speakers. If you are unsure of the impedance of the connected
speakers, set this switch to “4Ω”. Changing this setting changes
the maximum output from the amp and changes the conditions
for which the [LIMITER] LED comes on.
NOTICE
r Make sure the power switch is off before changing the setting of this
switch.
r Setting this switch incorrectly could result in damage to the mixer/your
speakers.
) [PHANTOM (CH1/2)] switch/LED
When this switch is on, the LED lights indicating that phantom
power is available for channels 1 and 2. Turn this switch on to
supply power to condenser microphones or a DI (direct
injection box).
NOTICE
Follow the important precautions below, in order to prevent noise and
possible damage to external devices and the mixer when you operate
this switch.
r Be sure to leave this switch off if you do not need phantom power, or
when you connect a device that does not support phantom power to
channels 1 and 2.
r Do not connect/disconnect a cable to/from channel 1 or 2 while this
switch is on.
r Turn the [LEVEL] control of channels 1 and 2 to the minimum before
operating this switch.
! [MONITOR OUT] control
Determines the signal level output from the [MONITOR OUT]
jacks ( ). The [MASTER LEVEL] control does not affect the 5
[MONITOR OUT] signal.
@ Equalizer controls [HIGH, MID, LOW]
The equalizer shapes the [HIGH], [MID], and [LOW] audio
frequencies. Turning the control to the right amplies (boosts)
the corresponding frequency band, while turning it to the left
attenuates (cuts) the band. Setting the control to the “D”
position produces a at response in the corresponding band.
# [REVERB] button/LED
When this button is on, the LED lights indicating that you can
apply reverb. This button is off when you turn on the mixer.
(Unlike other switches, this button cannot be locked.)
$ REVERB [TYPE/TIME] control
Determines the reverb type and its length. Turning the control to
the right lengthens the time of the selected reverb t ype.
“HALL”: Simulated reverb of a large space, such as a
concert hall.
“PLATE”: Simulated metal plate reverb, producing a more
hard-edged and bright sound.
“ROOM”: Simulated acoustic ambience of a small room.
“ECHO”: Echo effect suitable for vocals.
% [REVERB] controls (channels 1– 4)
Determines the amount of reverb for each channel when the
[REVERB] button ( ) is on.#
^ [N OSTEREO / MONO] switches
(channels 5/6, 7/8, 9/10)
Setting the switch to “
N
STEREO” will assign the signals from
the L and R channels to each left and right speaker and output
each signal. Setting the switch to “
O
MONO” will mix the output
of different L and R sources to output the same signal to both
the left and right speakers. For keyboards with mono output,
guitars, or other non-stereo sound sources, when the switch is
set to “
O
MONO”, the stereo jacks can be conveniently used as
multiple mono jacks.
& Level meter
The level meter shows the level of output signal from the
[SPEAKERS L/R] jacks.
NOTICE
If used at a high volume so that the [LIMITER] LED flashes continuously,
the internal power amplifier section is being excessively overloaded and
may malfunction. Reduce the output level with the [MASTER LEVEL]
control so that the indicator flashes only briefly on the highest transient
peaks.
* [POWER] LED
This LED lights when the power is turned on by pressing the
power switch.
( [FEEDBACK SUPPRESSOR] switch/LED
When this switch is on, the LED lights indicating that feedback
is automatically suppressed. (This utilizes a seven-band notch
lter. When this switch or the power switch is off, the notch lter
will be reset.)
A [LEVEL] controls
Use these controls to adjust the volume for each channel. To
reduce noise, set any [LEVEL] controls on unused channels to
the minimum.
B [MASTER EQ] control
Use this control to adjust the overall sound frequency balance.
The center position “MUSIC” is a basic setting and if you turn
the control to the left, this creates an optimum setting for
speech, cutting unneeded low range frequencies. Turning the
control to the right creates an optimum setting for playback of
sound sources, by boosting the low and high ranges. If you turn
the control further to the right, the [BASS BOOST] LED lights
indicating that the bass boost function is active, giving you an
even more powerful bass tone.
C [MASTER LEVEL] control
Determines the volume of the signal output from the
[SPEAKERS L/R] and [SUBWOOFER OUT] jacks. This allows
you to adjust the overall volume without changing the relative
volume balance among the various channels.
D Vents
There are vents located on both sides of the mixer, and a
cooling fan is installed on the exhaust side. Do not block the
vents on either side when using the mixer.
E [AC IN] jack
Connect the included power cord here.
F [ ] (Power) switch
For turning the power of the mixer on ( ) and off ( ).O N
NOTICE
Rapidly turning the mixer on and off in succession can cause it to
malfunction. After turning the mixer off, wait for about 10 seconds before
turning it on again.
Owner’s Manual
ZR97470 EN
AC IN
1
5
&
*
(
)
!
#
$
CB
E
D
6
7
4
23
^
F
8
8
9
%
A
@
Page 2
Mounting to a Microphone Stand
The mixer can be mounted onto a microphone
stand as illustrated at right, by using the
optionally available Yamaha BMS-10A Mic
Stand Adaptor. For instructions on mounting,
refer to the BMS-10A Owner’s Manual.
Yamaha Pro Audio global website:
http://www.yamahaproaudio.com/
Yamaha Downloads:
http://download.yamaha.com/ Manual Development Group
©2015 Yamaha Corporation
Published 04/2016 MWHD-B0
Printed in China
Rack Mounting
1 Use a screwdriver to loosen and remove the screws (4) on the
handles installed on the mixer.
2 Use the screws you removed in Step 1 to securely install the RK-
EMX2 Rack-Mount Kit (sold separately) on the mixer.
Orient the RK-EMX2 rack-mount brackets with the engraved lettering facing toward
the rear.
NOTICE
Be sure to use the screws removed in Step 1. Using other screws can cause damage.
NOTE Separate screws for mounting the mixer in a rack are not included with the mixer.
General Specications
Maximum Output Power
(1 kHz)
THD+N<10% 250 W + 250 W (4 Ω), 170 W + 170 W (8 Ω)
THD+N<1% 110 W + 110 W (4 Ω), 110 W + 110 W (8 Ω)
Input Channels 10 channels (Mono (MIC/LINE): 4, Stereo (LINE): 3)
CH4: Hi-Z input supported
Output Channels SPEAKERS (L, R): 1, MONITOR OUT(L, R): 1, SUBWOOFER OUT: 1
Bus Stereo: 1, Effect: 1
Input Channel Equalization
HIGH: 8 kHz ±15 dB
MID: 2.5 kHz ±15 dB
LOW: 100 Hz ±15 dB
Level Meter 6 points (-20, -6, 0, +3, +6, LIMITER)
Phantom Power Voltage +30 V (CH1, 2)
Built-in
Effect
SPX
Algorithm 4 programs
REVERB FOOT SW Effect Mute on/off
DSP Processing FEEDBACK SUPPRESSOR, MASTER EQ
Protection
Load Protection: DC-fault
Amplier Protection: Over heat protection, Over current protection
Power Supply Protection: Over heat protection, Over current protection
Power Requirements AC 100-240 V, 50 Hz/60 Hz
Power Consumption 35 W (Idle) / 90 W (1/8 Power)
Dimensions (W × H × D) 375 mm × 147 mm × 220 mm (14.8" × 5.8" × 8.7")
Net Weight 4.2 kg (9.3 lbs)
Optional Accessory Foot Switch: FC5, Rack-Mount Kit: RK-EMX2, Mic Stand Adaptor: BMS-10A
Operating Temperature 0 to +40˚C
For other specications, see the included “Technical Specications.”
The contents of this manual apply to the latest specications as of the publishing date. To obtain the latest manual, access the Yamaha
website then download the manual le.
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE
PROCEEDING
Please keep this manual in a safe place for
future reference.
WARNING
Always follow the basic precautions listed below to
avoid the possibility of serious injury or even death
from electrical shock, short-circuiting, damages, re
or other hazards. These precautions include, but are
not limited to, the following:
Power supply/power cord
tDo not place the power cord near heat sources such as
heaters or radiators, and do not excessively bend or
otherwise damage the cord, place heavy objects on it, or
place it in a position where anyone could walk on, trip over,
or roll anything over it.
tOnly use the voltage specified as correct for the device.
The required voltage is printed on the name plate of the
device.
tUse only the supplied power cord/plug.
If you intend to use the device in an area other than in the
one you purchased, the included power cord may not be
compatible. Please check with your Yamaha dealer.
tCheck the electric plug and each jack periodically, and
remove any dirt or dust which may have accumulated. Failure
to do so may cause electrical shock, short-circuiting or fire.
tWhen setting up the device, make sure that the AC outlet
you are using is easily accessible. If some trouble or
malfunction occurs, immediately turn off the power switch
and disconnect the plug from the outlet. Even when the
power switch is turned off, as long as the power cord is not
unplugged from the wall AC outlet, the device will not be
disconnected from the power source.
tRemove the electric plug from the outlet when the device is
not to be used for extended periods of time, or during
electrical storms.
tBe sure to connect to an appropriate outlet with a
protective grounding connection.
Do not open
tThis device contains no user-serviceable parts. Do not
open the device or attempt to disassemble the internal
parts or modify them in any way. If it should appear to be
malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Water warning
tDo not expose the device to rain, use it near water or in
damp or wet conditions, or place on it any containers
(such as vases, bottles or glasses) containing liquids
which might spill into any openings. If any liquid such as
water seeps into the device, turn of f the power immediately
and unplug the power cord from the AC outlet. Then have
the device inspected by qualified Yamaha service
personnel.
tNever insert or remove an electric plug with wet hands.
Hearing loss
tAvoid setting all equalizer and level controls to their
maximum. Depending on the condition of the connected
devices, doing so may result in feedback that can cause
hearing loss and damage the speakers.
tDo not use speakers for a long period of time at a high or
uncomfortable volume level, since this can cause
permanent hearing loss. If you experience any hearing loss
or ringing in the ears, consult a physician.
tWhen turning on the AC power in your audio system,
always turn on the device LAST, to avoid hearing loss and
speaker damage. When turning the power off, the device
should be turned off FIRST for the same reason.
Fire warning
tDo not place any burning items or open flames near the
device, since they may cause a fire.
If you notice any abnormality
tIf any of the following problems occur, immediately turn off
the power switch and disconnect the electric plug from the
outlet.
- The power cord or plug becomes frayed or damaged.
- Unusual smells or smoke are emitted.
- Some object has been dropped into the device.
- There is a sudden loss of sound during use of the device.
- Cracks or other visible damage appear on the device.
Then have the device inspected or repaired by qualified
Yamaha service personnel.
tIf this device should be dropped or damaged, immediately
turn off the power switch, disconnect the electric plug from
the outlet, and have the device inspected by qualified
Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to
avoid the possibility of physical injury to you or others,
or damage to the device or other property. These precau-
tions include, but are not limited to, the following:
Power supply/power cord
tWhen removing the electric plug from the device or an
outlet, always hold the plug itself and not the cord. Pulling
by the cord can damage it.
Location
tDo not place the device in an unstable position where it
might accidentally fall over and cause injuries. Use the
device with the operating panel facing up.
tDo not block the vents. This device has ventilation holes at
the sides to prevent the internal temperature from
becoming too high. In particular, do not place the device
on its side or upside down. Inadequate ventilation can
result in overheating, possibly causing damage to the
device(s), or even fire.
tWhen using the device:
- Do not cover it with any cloth.
- Do not install it on a carpet or rug.
- Do not use the device in a confined, poorly-ventilated
location.
Inadequate ventilation can result in overheating, possibly
causing damage to the device(s), or even fire. If this device
is to be used in a small space other than an EIA-standard
rack, make sure that there is adequate space around the
device: at least 30cm above, 30cm at the sides and 30cm
behind.
tDo not place the device in a location where it may come
into contact with corrosive gases or salt air. Doing so may
result in malfunction.
tBefore moving the device, remove all connected cables.
tIf the device is mounted in an EIA standard rack, carefully
read the section “Precautions for Rack Mounting” on page
2. Inadequate ventilation can result in overheating, possibly
causing damage to the device(s), malfunction, or even fire.
Connections
tDo not use speaker cables with a metal-housing connector.
Doing so may result in electrical shock due to differences
in voltage. Use speaker cables with a nonmetal-housing
connector, or with a insulated-housing connector.
tBefore connecting the device to other devices, turn off the
power for all devices. Also, before turning the power of all
devices on or off, make sure that all volume levels are set
to the minimum. Failing to do so may result in electric
shock or equipment damage.
tUse only speaker cables for connecting speakers to the
speaker jacks. Use of other types of cables may result in
fire.
Maintenance
tRemove the power plug from the AC outlet when cleaning
the device.
Handling caution
tAvoid inserting or dropping foreign objects (paper, plastic,
metal, etc.) into any gaps or openings on the device (vents,
panel, etc.) If this happens, immediately turn off the power,
unplug the power cord from the AC outlet, and have the
device inspected by qualified Yamaha service personnel.
tDo not rest your weight on the device or place heavy
objects on it. Avoid applying excessive force to the buttons,
switches or connectors to prevent injuries.
Yamaha cannot be held responsible for damage caused
by improper use or modifications to the device.
(PA_en_7)
European Models
Purchaser/User Information specified in EN55103-2:2009.
Conforms to Environments: E1, E2, E3 and E4
The model number, serial number, power requirements, etc., may be found on or near the name plate, which is
at the bottom of the unit. You should note this serial number in the space provided below and retain this manual
as a permanent record of your purchase to aid identication in the event of theft.
Model No.
Serial No.
(bottom_en_01)
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modications not expressly approved by Yamaha may void your authority, granted by the
FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC
Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a
reasonable level of assurance that your use of this product in a residential environment will not result in
harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions found in the users manual, may cause interference
harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee
that interference will not occur in all installations. If this product is found to be the source of interference,
which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using
one of the following measures:
Relocate either this product or the device that is being affected by the interference.
Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm
ribbon lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha
Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its
subsidiaries.
* T his applies only to products distribut ed by YAMAHA CORPORATION OF AMERICA. (class B)
In Finland: Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan.
In Norway: Apparatet må tilkoples jordet stikkontakt.
In Sweden: Apparaten skall anslutas till jordat uttag.
(class I hokuo)
NOTICE
To avoid the possibility of malfunction/ damage to the
product, damage to data, or damage to other property, follow
the notices below.
Handling and maintenance
tDo not use the device in the vicinity of a TV, radio, AV
equipment, mobile phone, or other electric devices.
Otherwise, the device, TV, or radio may generate noise.
tDo not expose the device to excessive dust or vibration, or
extreme cold or heat (such as in direct sunlight, near a
heater, or in a car during the day), in order to prevent the
possibility of panel disfiguration, unstable operation, or
damage to the internal components.
tDo not place vinyl, plastic or rubber objects on the device,
since this might discolor the panel.
tWhen cleaning the device, use a dry and soft cloth. Do not
use paint thinners, solvents, cleaning fluids, or chemical-
impregnated wiping cloths.
tCondensation can occur in the device due to rapid, drastic
changes in ambient temperature—when the device is
moved from one location to another, or air conditioning is
turned on or off, for example. Using the device while
condensation is present can cause damage. If there is
reason to believe that condensation might have occurred,
leave the device for several hours without turning on the
power until the condensation has completely dried out.
tAlways turn the power off when the device is not in use.
Connectors
tXLR-type connectors are wired as follows (IEC60268
standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Information
About this manual
tThe illustrations as shown in this manual are for
instructional purposes only.
tThe company names and product names in this manual
are the trademarks or registered trademarks of their
respective companies.
Information for users on collection and
disposal of old equipment:
This symbol on the products, packaging,
and/or accompanying documents means that
used electrical and electronic products
should not be mixed with general household
waste.
For proper treatment, recovery and recycling
of old products, please take them to applicable collection
points, in accordance with your national legislation.
By disposing of these products correctly, you will help to
save valuable resources and prevent any potential
negative effects on human health and the environment
which could otherwise arise from inappropriate waste
handling.
For more information about collection and recycling of old
products, please contact your local municipality, your
waste disposal service or the point of sale where you
purchased the items.
For business users in the European Union:
If you wish to discard electrical and electronic equipment,
please contact your dealer or supplier for further
information.
Information on Disposal in other Countries outside the
European Union:
This symbol is only valid in the European Union. If you
wish to discard these items, please contact your local
authorities or dealer and ask for the correct method of
disposal.
(weee_eu_en_02)
IMPORTANT NOTICE FOR THE UNITED
KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug proceed
as follows:
The wire which is coloured GREEN-and-YELLOW must
be connected to the terminal in the plug which is marked
by the letter E or by the safety earth symbol or
colored GREEN or GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK.
The wire which is coloured BROWN must be connected
to the terminal which is marked with the letter L or
coloured RED.
(3 wires)
Precautions for Rack Mounting
This mixer is rated for operation at ambient temperatures ranging from 0 to 40 degrees
Celsius. If you install this mixer along with other devices in a poorly ventilated EIA
standards rack, the ambient temperature inside the rack may rise, resulting in
inefficient performance. Be sure to rack-mount in the following conditions so the mixer
does not overheat.
r When mounting the mixer in a rack with devices such as power ampliers that generate a
signicant amount of heat, leave more than 1U of space bet ween it and other equipment. Also,
either leave the open spaces uncovered or install appropriate ventilating panels to minimize the
possibility of heat buildup.
r To ensure sufficient airow, leave the rear of the rack open. If you’ve installed a fan kit in the rack,
there may be cases in which closing the rear of the rack will produce a greater cooling effect.
Refer to the rack and/or fan kit manual for details.
Troubleshooting
Check the following items before contacting a Yamaha dealer.
If the symptoms are not improved, contact your nearest Yamaha dealer.
Power does not come on.
Did you rmly and securely connect
the power cord?
Power shuts down suddenly.
Are the vents of the mixer blocked?
Since inadequate ventilation can result in
overheating the mixer, the power may be
turned off automatically to prevent
overheating. Ensure proper ventilation for
cooling, and then turn on the power again.
No sound is heard.
Did you connect the mixer’s
[SPEAKERS L/R] jacks and the
speakers’ input jacks using the proper
speaker cables?
Did you rmly and securely connect
the speaker cables?
Is the [POWER] LED ashing at
intervals?
There may be a short in the speaker cable or
the connection may be faulty. Check that the
speaker cable is not scratched and is
connected properly to the mixer, and then
turn the power on again.
For channels 7/8, are both phone and
RCA-pin jacks connected at the same
time? Or, for channels 9/10, are both
phone and stereo-mini jacks connected
at the same time?
The phone jack has priority for channels 7/8
and the stereo-mini jack has priority for
channels 9/10.
Is the [POWER] LED ashing
continuously?
If the internal power amplier section is
excessively overloaded, the amplier will be
muted for protection. The mixer will
automatically reset itself after a while.
Sound is distorted or noise is
produced.
Are the [LEVEL] controls of all relevant
channels and/or the [MASTER LEVEL]
control set too high?
Is the [ N OMIC/ LINE] switch of the
corresponding channel set to
“ NMIC”?
If the input level from the source is high,
setting the [ N OMIC/ LINE] switch to
“ NMIC” may result in distorted sound. Set
the switch to the “ OLINE” position.
Is the volume of the device connected
to the mixer too high?
Lower the volume of the external device.
Is the speaker cable or power cord
located near the input cables?
Please keep speaker cables and the power
cord away from the input cables.
Sound is not loud enough.
Are the [LEVEL] controls of all relevant
channels and/or the [MASTER LEVEL]
control set too low?
Is the [ N OMIC/ LINE] switch of the
corresponding channel set to
“ OLINE”?
Tur n the [LEVEL] control to the minimum
(zero). Next, set the switch to the “ NMIC”
position, and then slowly raise the [LEVEL]
control.
Is the volume of the device connected
to the mixer too low?
Raise the volume of the external device.
Is the [PHANTOM (CH1/2)] switch set to
on when using a microphone that
requires phantom power?
The high sounds and low
sounds are unbalanced.
Are the equalizer controls raised or
lowered too much?
Set the equalizer controls to the center
position.
Orient the rack-
mount bracket
with the engraved
lettering facing
toward the rear.
Orient the rack-
mount bracket
with the engraved
lettering facing
toward the rear.
The mixer can be rack mounted
without the handles installed.
NOTE The EMX2 requires at least 6 U of
rack space. To take into account the
cable connections, we recommend
to ensure 7 U of rack space.
General Specifications
0 dBu = 0.775 Vrms, Output impedance of signal generator (Rs) = 150 Ω
All level controls are at their maximum position if not specified.
Output Power
1 kHz THD+N < 10%
(CEA2006)
250 W + 250 W (4 Ω)
170 W + 170 W (8 Ω)
1 kHz THD+N < 1% 110 W + 110 W (4 Ω)
110 W + 110 W (8 Ω)
Input to SPEAKERS Input to MONITOR OUT
Frequency Response Refer to the nominal output level
@ 1 kHz +1 dB/-4 dB (40 Hz to 20 kHz) +0.5 dB/-1.5 dB (20 Hz to 20 kHz)
Total Harmonic Distortion *1
(THD+N)
0.2% @ 13.8 W (40 Hz to 20 kHz)
0.4% @ 23.2 W (1 kHz)
0.05% @ +10 dBu (20 Hz to 20 kHz)
0.009% @ +20 dBu (1 kHz)
Hum & Noise *2
(20 Hz to 20 kHz)
Equivalent Input Noise -115 dBu
Residual Output Noise -68 dBu
(40 Hz to 20 kHz, MASTER: min)
-99 dBu
(20 Hz to 20 kHz, MONITOR: min)
Crosstalk (1 kHz) *3 -80 dB
Input Channels TOTAL: 10 channels Mono (MIC/LINE): 4, Stereo (LINE): 3
Output Channels SPEAKERS [L, R], MONITOR OUT [L,R], SUBWOOFER OUT
Bus Stereo: 1, Effect: 1
Input Channel Function
PAD (CH1-4) 26 dB
Hi-Z (CH4) Supported
EQ
HIGH: 8 kHz +15 dB / -15 dB
MID: 2.5 kHz +15 dB / -15 dB
LOW: 100 Hz +15 dB / -15 dB
Level Meter 6 points (-20, -6, 0, +3, +6, LIMITER)
Built-in Effect SPX Algorithm Reverb 4 programs
Output Channel Function MASTER EQ (SPEECH to MUSIC)
FEEDBACK SUPPRESSOR
Phantom Power Voltage CH1, 2 +30 V
REVERB FOOT SW Effect Mute on/off
Protection
Load Protection: DC-fault
Amplifier Protection: Over heat protection, Over current protection
Power Supply Protection: Over heat protection, Over current protection
Power Requirements AC 100-240 V, 50 Hz/60 Hz
Power Consumption 35 W (Idle) / 90 W (1/8 Power)
Dimensions (W×H×D) 375 mm × 147 mm × 220 mm (14.8" x 5.8" x 8.7")
Net Weight 4.2 kg (9.3 lbs)
Included Accessory AC Power Cord (2 m), Owner’s Manual, Technical Specifications
Optional Accessory Foot Switch: FC5, Mic Stand Adaptor: BMS-10A, Rack-Mount Kit: RK-EMX2
Operating Temperature 0 to +40°C
*1 THD+N is measured with 22 kHz LPF.
*2 Noise is measured with A-weighting filter.
*3 Crosstalk is measured with 1 kHz band pass filter.
The contents of this manual apply to the latest specifications as of the publishing date. To obtain the latest manual, access the Yamaha website then download the manual file.
Analog Input Characteristics
0 dBu = 0.775 Vrms
Input Jack MIC/LINE Hi-Z
[CH4]
Actual
Load
Impedance
For Use
with
Nominal
Input Level
Connector
Sensitivity *1 Nominal Max. Before
Clip
CH1 - 4
[XLR]
MIC
- 3 kΩ 150 Ω Mics
-56 dBu
(1.228 mV)
-35 dBu
(13.78 mV)
-10 dBu
(245.1 mV)
CH1, 2
XLR-3-31 *2
(Balanced)
CH3, 4
Combo jack *3
(Balanced)
LINE -30 dBu
(24.51 mV)
-9 dBu
(275.0 mV)
+16 dBu
(4.890 V)
CH3, 4
[Phone]
MIC
OFF 3 kΩ 150 Ω Lines -50 dBu
(2.451 mV)
-29 dBu
(27.50 mV)
-4 dBu
(489.0 mV)
ON 1 MΩ 10 kΩ Lines
LINE
OFF 3 kΩ 150 Ω Lines -24 dBu
(48.90 mV)
-3 dBu
548.7 mV
+22 dBu
(9.757 V)
ON 1 MΩ 10 kΩ Lines
CH5/6 - 9/10 - - 10 kΩ 150 Ω Lines -24 dBu
(48.90 mV)
-3 dBu
(548.7 mV)
+22 dBu
(9.757 V)
CH5/6
Phone jack *4
(Unbalanced)
CH7/8
Phone jack *4
& RCA pin
(Unbalanced)
CH9/10
Phone jack *4
& Stereo mini jack
(Unbalanced)
*1 Sensitivity is the lowest level that will produce an output of +0 dBu (0.775 V) or the nominal output level when the unit is set to maximum gain.
(All level controls are at their maximum position.)
*2 1 = GND, 2 = HOT, 3 = COLD
*3 1&Sleeve = GND, 2&Tip = HOT, 3&Ring = COLD
*4 Tip = Signal, Sleeve = GND
Analog Output Characteristics
0 dBu = 0.775 Vrms
Output Jack Actual Source
Impedance For Use with Nominal
Output Level
Connector
Nominal Max. Before Clip
MONITOR OUT [L, R] 150 Ω 10 kΩ Lines +4 dBu
(1.23 V)
+20 dBu
(7.75 V)
Phone jack *1
(Impedance balanced)
SUBWOOFER OUT 150 Ω 10 kΩ Lines -3 dBu
(0.55 V)
+17 dBu
(5.49 V)
Phone jack *1
(Impedance balanced)
*1 Tip = HOT, Ring = COLD, Sleeve = GND
Speaker Output Characteristics
0 dBu = 0.775 Vrms
Output Jack Actual Source
Impedance For Use with Nominal
Output Level
Connector
1 kHz
THD+N < 1%
1 kHz
THD+N < 10%
[CEA2006]
SPEAKERS [L, R] < 0.1 Ω
4 Ω Speakers 110 W 250 W
Phone jack *1
8 Ω Speakers 110 W 170 W
*1 Tip = Positive, Sleeve = Negative
ZR97880
Technical Specifications
POWERED MIXER
Especificaciones del producto
Marca: | Yamaha |
Categoría: | consola de mezclas |
Modelo: | EMX2 |
Tipo de operación: | Touch |
Color del producto: | Zilver |
Peso.: | 41000 g |
Ancho: | 1000 mm |
Profundidad: | 700 mm |
Altura: | 1100 mm |
Impuesto neto: | 212 W |
Nivel de ruido: | 57 dB |
Clase-de-eficiencia-energética: | C |
Consumo-anual-de-energía: | 96.8 kWu |
Amable: | Eiland |
Potencia del motor: | 200 W |
Motor incluido: | Ja |
Capacidad máxima de extracción: | 620 m³/uur |
Método de extracción: | Afvoerend/recirculerend |
Clase de eficiencia fluidodinámica: | C |
Clase de eficiencia lumínica: | A |
Clase de eficiencia del filtro de grasa: | B |
Distancia mínima a la placa eléctrica: | 450 mm |
Distancia mínima a la encimera de gas: | 650 mm |
Número de lámparas: | 4 gloeilamp(en) |
Tipo de lámpara: | LED |
Tipo filtro veterinario: | Houtskool |
Altura (mín.): | 800 mm |
Altura (máx.): | 1100 mm |
Lámpara de encendido: | 3 W |
Capacidad máxima de recirculación: | 470 m³/uur |
Número de filtros: | 1 stuk(s) |
Actual: | 5 A |
voltaje-de-entrada-de-CA: | 230 V |
Frecuencia-de-entrada-de-CA: | 50 Hz |
¿Necesitas ayuda?
Si necesitas ayuda con Yamaha EMX2 haz una pregunta a continuación y otros usuarios te responderán
consola de mezclas Yamaha Manuales
21 Octubre 2024
20 Octubre 2024
20 Octubre 2024
17 Septiembre 2024
16 Septiembre 2024
9 Septiembre 2024
22 Agosto 2024
19 Agosto 2024
16 Agosto 2024
10 Agosto 2024
consola de mezclas Manuales
- consola de mezclas Philips
- consola de mezclas Inventum
- consola de mezclas JBL
- consola de mezclas Krups
- consola de mezclas Pioneer
- consola de mezclas Alpina
- consola de mezclas Allen-Heath
- consola de mezclas Akai
- consola de mezclas Arendo
- consola de mezclas American Audio
- consola de mezclas Alto
- consola de mezclas ADB
- consola de mezclas Nedis
- consola de mezclas Korona
- consola de mezclas Black And Decker
- consola de mezclas KitchenAid
- consola de mezclas Tristar
- consola de mezclas Domo
- consola de mezclas Pyle
- consola de mezclas Hyundai
- consola de mezclas Clatronic
- consola de mezclas Fritel
- consola de mezclas Taurus
- consola de mezclas Concept
- consola de mezclas Sunbeam
- consola de mezclas Stirling
- consola de mezclas Audio-Technica
- consola de mezclas Gemini
- consola de mezclas Toa
- consola de mezclas Roland
- consola de mezclas ART
- consola de mezclas Denon
- consola de mezclas Vonyx
- consola de mezclas Philco
- consola de mezclas Korg
- consola de mezclas LD Systems
- consola de mezclas Bogen
- consola de mezclas Technics
- consola de mezclas Koenic
- consola de mezclas Allen & Heath
- consola de mezclas Bose
- consola de mezclas Exquisit
- consola de mezclas Proline
- consola de mezclas Mackie
- consola de mezclas Envivo
- consola de mezclas Bomann
- consola de mezclas Pyle Pro
- consola de mezclas Peavey
- consola de mezclas Behringer
- consola de mezclas PreSonus
- consola de mezclas Valcom
- consola de mezclas Tascam
- consola de mezclas Midas
- consola de mezclas Auna
- consola de mezclas Blaze
- consola de mezclas Samson
- consola de mezclas Bifinett
- consola de mezclas Primo
- consola de mezclas Shure
- consola de mezclas Konig
- consola de mezclas Reloop
- consola de mezclas Numark
- consola de mezclas Chandler
- consola de mezclas Wharfedale
- consola de mezclas Soundcraft
- consola de mezclas Fredenstein
- consola de mezclas Swissonic
- consola de mezclas Team
- consola de mezclas Dynacord
- consola de mezclas QSC
- consola de mezclas Omnitronic
- consola de mezclas Roadstar
- consola de mezclas Scott
- consola de mezclas Radial Engineering
- consola de mezclas ATen
- consola de mezclas Turmix
- consola de mezclas Russound
- consola de mezclas Skytec
- consola de mezclas DBX
- consola de mezclas Waves
- consola de mezclas Monoprice
- consola de mezclas Ibiza Sound
- consola de mezclas Elysia
- consola de mezclas Proel
- consola de mezclas HQ Power
- consola de mezclas Adastra
- consola de mezclas Power Dynamics
- consola de mezclas Citronic
- consola de mezclas Kalorik
- consola de mezclas SPL
- consola de mezclas Monacor
- consola de mezclas Warm Audio
- consola de mezclas Martin
- consola de mezclas Audiophony
- consola de mezclas JB Systems
- consola de mezclas DAP Audio
- consola de mezclas Extron
- consola de mezclas Dangerous Music
- consola de mezclas Venga
- consola de mezclas Crown
- consola de mezclas Dateq
- consola de mezclas Speco Technologies
- consola de mezclas Flama
- consola de mezclas Icon
- consola de mezclas Kramer
- consola de mezclas Karma
- consola de mezclas ANT
- consola de mezclas IMG Stage Line
- consola de mezclas Atlas Sound
- consola de mezclas Rane
- consola de mezclas Phonic
- consola de mezclas Koda
- consola de mezclas Sound Devices
- consola de mezclas DAP
- consola de mezclas Heritage Audio
- consola de mezclas IMG Stageline
- consola de mezclas The T.mix
- consola de mezclas Inter-M
- consola de mezclas Cloud
- consola de mezclas Bellari
- consola de mezclas OWI
- consola de mezclas Glemm
- consola de mezclas Røde
Últimos consola de mezclas Manuales
27 Octubre 2024
27 Octubre 2024
27 Octubre 2024
23 Octubre 2024
20 Octubre 2024
20 Octubre 2024
20 Octubre 2024
19 Octubre 2024
19 Octubre 2024
19 Octubre 2024