Allen-Heath ZED18 Manual de Usario
Lee a continuación 📖 el manual en español para Allen-Heath ZED18 (60 páginas) en la categoría consola de mezclas. Esta guía fue útil para 17 personas y fue valorada con 4.5 estrellas en promedio por 2 usuarios
Página 1/60
USER GUIDE
Publication AP6822
Allen & Heath 2 ZED-14, 18 & 24 User Guide
Limited One Year Warranty
This product is warranted to be free from defects in materials or
workmanship for period of one year from the date of purchase by the
original owner.
To ensure a high level of performance and reliability for which this
equipment has been designed and manufactured, read this User Guide
before operating. In the event of a failure, notify and return the
defective unit to ALLEN & HEATH Limited or its authorised agent as
soon as possible for repair under warranty subject to the following
conditions
Conditions Of Warranty
The equipment has been installed and operated in accordance with the
instructions in this User Guide.
The equipment has not been subject to misuse either intended or
accidental, neglect, or alteration other than as described in the User
Guide or Service Manual, or approved by ALLEN & HEATH.
Any necessary adjustment, alteration or repair has been carried out by
ALLEN & HEATH or its authorised agent.
This warranty does not cover fader wear and tear.
The defective unit is to be returned carriage prepaid to ALLEN &
HEATH or its authorised agent with proof of purchase.
Units returned should be packed to avoid transit damage.
In certain territories the terms may vary. Check with your ALLEN &
HEATH agent for any additional warranty which may apply.
ZED-14, 18 & 24 User Guide AP6822 Issue 5
Copyright © 2007 Allen & Heath Limited. All rights reserved
Allen & Heath Limited
Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
http://www.allen-heath.com
This product complies with the European Electro magnetic Compatibility
directive 2004/108/EC and the European Low Voltage Directive 2006/95/EC.
This product has been tested to EN55103 Parts 1 & 2 1996 for use in
Environments E1, E2, E3, and E4 to demonstrate compliance with the
protection requirements in the European EMC directive 2004/108/EC.
During some tests the specified performance figures of the product were
affected. This is considered permissible and the product has been passed as
acceptable for its intended use. Allen & Heath has a strict policy of ensuring
all products are tested to the latest safety and EMC standards. Customers
requiring more information about EMC and safety issues can contact Allen &
Heath.
NOTE: Any changes or modifications to the console not approved by Allen
& Heath could void the compliance of the console and therefore the users
authority to operate it.
Allen & Heath 3 ZED-14, 18 & 24 User Guide
PACKED ITEMS
Check that you have received the following:
Mains Lead
Check that the correct
mains plug is fitted.
ZED-14, ZED-18 or ZED-24 MIXER
Type A-B USB Lead
To connect the ZED to
your computer.
SONAR X1 LE
Music Software Install disk.
SONAR LE
cakewalk
INSTALL
OR
OR
OO
30
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To 7-8
OO 10
-30
-20
-5
0
5
-10
2TRK
RTN
OO 10
-30
-20
-5
0
5
-10
USB
RTN
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
ON
To LR
To 9-10
ON
To LR
To 11-12
ON
ST3
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL =
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST2
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST1
MUTE
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
POST
PRE
LR
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
STEREO
ST4
ST2 IN
L/M
R
ST3 IN
L/M
R
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OU T
PHONES
MAIN OUT
INSERT
6
ST RTN
L
R
2TRK RTN
L
R
REC OUT
L
R
ALT OUT
L
R
INSERT
5
INSERT
4
INSERT
3
INSERT
2
INSERT
1
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
1 2 3 4 5 6 7-8 9-10 11-12 13-14 RL
0
0
0
PHANTOM POWER
ALLEN HEATH
LINE LINE LINE LINE LINE LINE
MIC MIC MIC MIC MIC MIC
ST4 IN
ST1 IN
L/M
R
AUX2 OU T
AUX3 OU T
AUX4 OU T
INSERT L
MONO OUT
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
POST POST POST POST POST POST POST POST POST POST
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
&
OO
30
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To CH
OO 10
-30
-20
-5
0
5
-10
2TRK
RTN
OO 10
-30
-20
-5
0
5
-10
USB
RTN
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL
=
PK !
PFL
STEREO
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
ON
To LR
To CH
ON
To LR
To CH
ON
ST3
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL
=
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL
=
PK !
PFL
STEREO
ST2
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL
=
PK !
PFL
STEREO
ST1
MUTE
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
POST
PRE
LR
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
STEREO
ST4
ST2 IN
L/M
R
ST3 IN
L/M
R
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
INSER T
16
ST RTN
L
R
2TRK RTN
L
R
REC OUT
L
R
ALT OUT
L
R
INSERT
15
INSERT
14
INSERT
13
INSERT
12
INSERT
11
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
11 12 13 14 15 16 17-18 19-20 21-22 23-24 RL
0
0
0
PHANTOM POWER
ALLEN HEATH
LINE LINE LINE LINE LINE LINE
MICMICMICMICMICMIC
ST4 IN
ST1 IN
L/M
R
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 6326
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
POST POST POST POST POST POST POST POST POST POST
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
10
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
9
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
8
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
7
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
6
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
5
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
4
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
3
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
2
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
1
500 1k
3k
POST
INSERT
10
LINE
MIC
INSERT
9
LINE
MIC
INSER T
8
LINE
MIC
INSER T
7
LINE
MIC
INSERT
6
LINE
MIC
INSERT
5
LINE
MIC
INSERT
4
LINE
MIC
INSERT
3
LINE
MIC
INSERT
2
LINE
MIC
INSERT
1
LINE
MIC
PFLPFLPFLPFLPFLPFLPFLPFLPFLPFLPFL
&
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
MUTE
500 1k
3k
POST
PFL
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN
=
PK !
PFL
POST
OO
30
5
10
20
5
0
10
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
1
1
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
2
2
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
3
3
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
4
4
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
5
5
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
6
6
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
7
7
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
8
8
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
INSERT
9
9
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN
=
PK !
PFL
MUTE
10
10
LINE
MIC
500 1k
3k
POST
10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To CH
ON
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
BAL
=
PK !
PFL
STEREO
ST1
MUTE
ST RTN
L
R
11-12
ST1 IN
L/M
R
POST
OO
30
5
10
20
5
0
10
O
10
-30
-20
-5
0
5
-10
2 TRK
RTN
To LR
To CH
ON
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
BAL
=
PK !
PFL
STEREO
ST2
MUTE
13-14
POST
OO
30
5
10
20
5
0
10
10
-30
-20
-5
0
5
-10
USB
RTN
To LR
To CH
ON
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
BAL
=
PK !
PFL
STEREO
ST3
MUTE
15-16
POST
OO
30
5
10
20
5
0
10
OO
30
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
+6
ALT
OUT
MONITOR
LR
+6
AUX1
MASTER
+6
AUX2
MASTER
5
20
10
5
0
10
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL
=
POST
PRE
LR
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
STEREO
ST4
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
ALT OUT
L
R
17-18 RL
0
0
0
PHANTOM PO WER
ALLEN HEATH
ST4 IN
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
POST
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
2TRK RTN
L
R
ST 2 IN
L/M
R
REC OUT
L
R
ST 3 IN
L/M
R
INSERT
&
Allen & Heath 4 ZED-14, 18 & 24 User Guide
SAFETY INSTRUCTIONS
WARNINGS - Read the following before proceeding :
CAUTION
ATTENTION: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR
Read instructions: Retain these safety and operating instructions for future reference. Adhere to all warnings printed here
and on the console. Follow the operating instructions printed in this User Guide.
Do not remove cover: Operate the console with its covers correctly fitted.
Power sources: Connect the console to a mains power unit only of the type described in this User Guide and marked
on the rear panel. Use the power cord with sealed mains plug appropriate for your local mains sup-
ply as provided with the console. If the provided plug does not fit into your outlet consult your service
agent for assistance.
Power cord routing: Route the power cord so that it is not likely to be walked on, stretched or pinched by items placed
upon or against it.
Grounding: Do not defeat the grounding and polarisation means of the power cord plug. Do not remove or tam-
per with the ground connection in the power cord.
Water and moisture: To reduce the risk of fire or electric shock do not expose the console to rain or moisture or use it in
damp or wet conditions. Do not place containers of liquids on it which might spill into any openings.
Ventilation: Do not obstruct the ventilation slots or position the console where the air flow required for ventilation
is impeded. If the console is to be operated in a rack unit or flightcase ensure that it is constructed to
allow adequate ventilation.
Heat and vibration: Do not locate the console in a place subject to excessive heat or direct sunlight as this could be a fire
hazard. Locate the console away from any equipment which produces heat or causes excessive vi-
bration.
Servicing: Switch off the equipment and unplug the power cord immediately if it is exposed to moisture, spilled
liquid, objects fallen into the openings, the power cord or plug become damaged, during lightning
storms, or if smoke, odour or noise is noticed. Refer servicing to qualified technical personnel only.
Installation: Install the console in accordance with the instructions printed in this User Guide. Do not connect the
output of power amplifiers directly to the console. Use audio connectors and plugs only for their
intended purpose.
! WARNING: This equipment must be earthed.
Allen & Heath 5 ZED-14, 18 & 24 User Guide
SAFETY INSTRUCTIONS
TERMINAL WIRE COLOUR
European USA/Canada
L LIVE BROWN BLACK
N NEUTRAL BLUE WHITE
E EARTH GND GREEN & YELLOW GREEN
Important Mains plug wiring instructions
The console is supplied with a moulded mains plug fitted to the AC
mains power lead. Follow the instructions below if the mains plug has to
be replaced. The wires in the mains lead are coloured in accordance
with the following code:
!
The wire which is coloured Green and Yellow must be connected to the
terminal in the plug which is marked with the letter E or with the Earth sym-
bol. This appliance must be earthed.
The wire which is coloured Blue must be connected to the terminal in the
plug which is marked with the letter N.
The wire which is coloured Brown must be connected to the terminal in the
plug which is marked with the letter L.
Ensure that these colour codes are followed carefully in the event of the
plug being changed.
8
2
General Precautions:
Damage : To prevent damage to the controls and cosmetics avoid placing heavy objects
on the control surface, scratching the surface with sharp objects, or rough
handling and vibration.
Environment : Protect from excessive dirt, dust, heat and vibration when operating and stor-
ing. Avoid tobacco ash, smoke, drinks spillage, and exposure to rain and mois-
ture. If the console becomes wet, switch off and remove mains power imme-
diately. Allow to dry out thoroughly before using again.
Cleaning : Avoid the use of chemicals, abrasives or solvents. The control panel is best
cleaned with a soft brush and dry lint-free cloth. The faders, switches and po-
tentiometers are lubricated for life. The use of electrical lubricants on these
parts is not recommended. The fader and potentiometer knobs may be re-
moved for cleaning with a warm soapy solution. Rinse and allow to dry fully
before refitting them.
Transporting : The console may be transported as a free-standing unit or mounted in a rack
or flightcase. Protect the controls from damage during transit. Use adequate
packing if you need to ship the unit.
Hearing : To avoid damage to your hearing do not operate any sound system at exces-
sively high volume. This applies particularly to close-to-ear monitoring such as
headphones and in-ear systems. Continued exposure to high volume sound
can cause frequency selective or wide range hearing loss.
Allen & Heath 6 ZED-14, 18 & 24 User Guide
CONTENTS
Thank you for purchasing your Allen & Heath ZED mixer. To ensure that
you get the maximum benefit from the unit please spare a few minutes
familiarizing yourself with the controls and setup procedures outlined in
this user guide. For further information please refer to the additional
information available on our web site, or contact our technical support
team.
http://www.allen-heath.com
http://www.allen-heath.com/zed
http://www.myspace.com/thezedspace
Warranty.............................................. 2
Packed Items ....................................... 3
Safety Instructions.............................. 4
Contents .............................................. 6
Panel Drawings ................................... 7
Introduction to ZED-14, 18 & 24... 10
Specifications....................................... 11
Dimensions.......................................... 12
Block Diagram .................................... 13
Mono Input Channel ......................... 14
Stereo Input Channel ST1................ 17
Stereo Input Channel ST2, 3 & 4.... 19
Master Section.................................... 20
USB Connection................................. 22
SONAR LE software introduction. 23
Configuring SONAR LE with ZED. 24
Configuration with PT9 on a Mac.. 25
Application Information—Live........ 26
Application Information—Studio ... 27
Using USB for effects ........................ 28
Wiring Notes...................................... 29
Product Support................................. 30
Allen & Heath 7 ZED-14, 18 & 24 User Guide
PANEL DRAWINGS
AC MAINS IN ~
100 - 240V~ 47-63Hz 40W MAX
T630mA L 250V 20mm
FUSE
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
REPLACE FUSE WITH SAME TYPE AND RATING.CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
ATTENTION: REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS.
DO NOT OPEN
CAUTION
RISK OF ELECTRIC SHOCK
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. ALLEN&HEATH
OFF
0 I
ON
WARNING: THIS APPARATUS MUST BE EARTHED
Serial No.
ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MADE IN CHINA.
(2) this device must accept any interference received,
This device complies with Part 15 of the FCC Rules.
(1) this device may not cause harmful interference, and
Operation is subject to the following two conditions:
including interference that may cause undesired operation.
OO
30
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To 7-8
OO 10
-30
-20
-5
0
5
-10
2TRK
RTN
OO 10
-30
-20
-5
0
5
-10
USB
RTN
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
ON
To LR
To 9-10
ON
To LR
To 11-12
ON
ST3
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL =
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST2
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST1
MUTE
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
POST
PRE
LR
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
STEREO
ST4
ST2 IN
L/M
R
ST3 IN
L/M
R
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
INSERT
6
ST RTN
L
R
2TRK RTN
L
R
REC OUT
L
R
ALT OUT
L
R
INSERT
5
INSERT
4
INSERT
3
INSERT
2
INSERT
1
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
1234567-89-1011-1213-14 RL
0
0
0
PHANTOM POWER
ALLEN HEATH
LINE LINE LINE LINE LINE LINE
MIC MIC MIC MIC MIC MIC
ST4 IN
ST1 IN
L/M
R
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
POST POST POST POST POST POST POST POST POST POST
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
&
Allen & Heath 8 ZED-14, 18 & 24 User Guide
PANEL DRAWINGS
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
1
1
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
2
2
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
3
3
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
4
4
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
5
5
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
6
6
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
7
7
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
8
8
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
INSERT
9
9
LINE
MIC
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
MF
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
10
10
LINE
MIC
500 1k
3k
POST
10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To CH
ON
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST1
MUTE
ST RTN
L
R
11-12
ST1 IN
L/M
R
POST
OO
30
5
10
20
5
0
10
O
10
-30
-20
-5
0
5
-10
2 TRK
RTN
To LR
To CH
ON
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST2
MUTE
13-14
POST
OO
30
5
10
20
5
0
10
10
-30
-20
-5
0
5
-10
USB
RTN
To LR
To CH
ON
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST3
MUTE
15-16
POST
OO
30
5
10
20
5
0
10
OO
30
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
+6
ALT
OUT
MONITOR
LR
+6
AUX1
MASTER
+6
AUX2
MASTER
5
20
10
5
0
10
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL =
POST
PRE
LR
-30
-20
-5
5
0
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
+6
AUX1
PRE
+6
AUX2
PRE
+6
AUX3
+6
AUX4
POST
STEREO
ST4
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
ALT OUT
L
R
17-18 RL
0
0
0
PHANTOM POWER
ALLEN HEATH
ST4 IN
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
POST
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
2TRK RTN
L
R
ST 2 IN
L/M
R
REC OUT
L
R
ST 3 IN
L/M
R
INSERT
&
AC MAINS IN ~
100 - 240V~ 47-63Hz 26W
T1A L 250V 20mm
FUSE ALLEN&HEATH
OFF
0I
ON
Serial No.
ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MADE IN CHINA
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
REPLACE FUSE WITH SAME TYPE AND RATING.CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
ATTENTION: REMPLACER PAR UN FUSIBLE STRICTEMENT IDENTIQUE EN VALEURS.
DO NOT OPEN
CAUTION
RISK OF ELECTRIC SHOCK
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
WARNING: THIS APPARATUS MUST BE EARTHED
(2) this device must accept any interference received,
This device complies with Part 15 of the FCC Rules.
(1) this device may not cause harmful interference, and
Operation is subject to the following two conditions:
including interference that may cause undesired operation.
Laite on liitettävä suojamaadoituskoskettimilla varustettuun pistorasiaan
Apparatet må tilkoples jordet stikkontakt
Apparaten skall anslutas till jordat uttag
CET APPAREIL DOIT ETRE MIS A LA TERRE
Conforms to ANSI/UL Std. 60065-2003
Cert to CAN/CSA Std. C22.2 No 60065-03
ZED1802
Allen & Heath 9 ZED-14, 18 & 24 User Guide
PANEL DRAWINGS
OO
30
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To CH
OO 10
-30
-20
-5
0
5
-10
2TRK
RTN
OO 10
-30
-20
-5
0
5
-10
USB
RTN
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
ON
To LR
To CH
ON
To LR
To CH
ON
ST3
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL =
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST2
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST1
MUTE
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
POST
PRE
LR
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
STEREO
ST4
ST2 IN
L/M
R
ST3 IN
L/M
R
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
INSERT
16
ST RTN
L
R
2TRK RTN
L
R
REC OUT
L
R
ALT OUT
L
R
INSERT
15
INSERT
14
INSERT
13
INSERT
12
INSERT
11
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
11 12 13 14 15 16 17-18 19-20 21-22 23-24 RL
0
0
0
PHANTOM POWER
ALLEN HEATH
LINE LINE LINE LINE LINE LINE
ST4 IN
ST1 IN
L/M
R
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
POST POST POST POST POST POST P OST POST POST POST
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
10
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
9
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
8
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
7
500 1k
3k
POST
OO
30
-6-10 63 2 6
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
6
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
5
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
4
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
3
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
2
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
1
500 1k
3k
POST
INSERT
10
LINE
INSERT
9
LINE
INSERT
8
LINE
INSERT
7
LINE
INSERT
6
LINE
INSERT
5
LINE
INSERT
4
LINE
INSERT
3
LINE
INSERT
2
LINE
INSERT
1
LINE
MIC
PFLPFLPFLPFLPFLPFLPFLPFLPFLPFLPFL
&
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
AC MAINS IN ~
100 - 240V~ 47-63Hz 40W MAX
T630mA L 250V 20mm
FUSE
REFER SE RVICING TO QU ALIFIED SERVICE PER SONNEL.
REPLACE FU SE WITH SAM E TYPE AND RATING.CAUTION: FOR CONTINUED PROTECTION AGAINST RISK OF FIRE
ATTENTIO N: REMPLACER PAR UN FUS IBLE STRICTEMENT IDENTIQ UE EN VALEURS.
DO NOT OPEN
CAUTION
RISK OF EL ECTRIC SHOCK
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
WARNING: TO REDUCE THE RI SK OF ELECTRIC SHOCK DO NOT EXPOSE THIS APPAR ATUS TO RAIN OR MOISTURE. ALLEN&HEATH
OFF
0I
ON
WARNING: THIS APPARATUS MUST BE EARTHED
Serial No.
ENGINEER ED IN ENGLAND BY ALLEN & HEATH LIMITED.
(2) this dev ice must accept an y interference received,
This device complies with Part 15 of the FCC Rules.
(1) this device may not c ause harmful interference, and
Operation is subjec t to the following two conditions:
including inter ference that may cause undesired operation.
Allen & Heath 10 ZED-14, 18 & 24 User Guide
INTRODUCTION TO THE ZED-14 & 24
The following is a technical overview of ZED, if you want to, please skip to the next section.
The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beautiful county of Cornwall in the UK
and is manufactured alongside a wide range of professional audio mixing consoles. Many of the components used in ZED are
exactly the same as in the larger Allen & Heath products and the construction methods are also very similar — utilising individ-
ual vertically mounted channel circuit boards with each rotary control fixed with a metal nut to the front panel. This provides a
very robust product that will resist damage and give years of reliable use. It also makes servicing much easier should it be re-
quired, with the ability to remove one particular channel from the mixer at a time, or easily change a fader.
The audio circuitry is based on years of continual development and refinement , the performance of all the elements within the
mixer scrutinised and perfected to ensure the very best sound quality possible.
Multi-application:
ZED’s are great for live mixing! Their layout makes them very easy to use and the 100mm faders give much better control of
the mix compared to most products at a similar price.
They are also great for recording, either a live show or an audio project at home can be built up track by track and studio
monitor speakers can be fed from the Alt Outputs.
ZED mixers are also ideal for teaching establishments, houses of worship, hotels and conference centres where their ease of
use and robust qualities make them a top choice.
Mic/Line Pre-amps:
Based on the pre-amps from the PA series, the ZED-14, 18 & 24 pre-amps use a two stage design, with carefully controlled
amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge — 69dB of range to be
exact — and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes
from the first stage, so unwanted noise is kept to a minimum. There is no “pad” switch, or pad circuit — line level signals are
simply plugged into the second stage of the pre-amp by using the line input jack socket. This has the great advantage of lower
noise when using the line input. (It is common to attenuate line level signals, the amplify them back up again which can give
more noise or hiss).
EQ:
The ZED series mixers are equipped with a 3-band equaliser circuit on each mono input and a 2-band EQ on the stereo chan-
nels. The frequency and response of each has been carefully chosen to give the maximum performance when using the EQ on a
variety of sources.
AUX system:
Four auxiliary buses are provided, two pre-fade and two post fader. Auxes 1 & 2 have master level controls. The auxes can be
sent to the USB output for either recording or effects purposes and Auxes 1 & 2 can be configured as a stereo pair, with sends
on the stereo channels switched either mono or stereo.
Mono and Stereo Channels:
One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the mono
channels there are four stereo channels, each with a main stereo input on jack sockets, three of them have the ability to take
additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control.
USB:
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we
have implemented this on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your com-
puter to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED,
select the USB routing on the mixer and the device on your computer and that’s it! Quality audio to and from your PC or
MAC.
As you can tell, we’re very proud of this product we hope you like it too.
Allen & Heath 11 ZED-14, 18 & 24 User Guide
SPECIFICATIONS
Operating Levels
Input
Mono channel (XLR) Input +6 to –63dBu for nominal (+17dBu in max)
Mono channel Line Input (Jack socket) +10 to –26dBu (+30dBu maximum)
Insert point (TRS Jack socket) 0dBu nominal +21dBu maximum
Stereo Input (Jack sockets) 0dBu nominal (control = Off to +10dB)
Stereo input (phono sockets) 0dBu nominal (control = Off to +10dB)
Output
L, R & Mono Outputs (L&R XLR, Mono Jack) 0dBu nominal. +21dBu maximum.
Aux Outputs (Jack sockets) 0dBu nominal. +21dBu maximum.
Alt Outputs (phono sockets) 0dBu nominal. +21dBu maximum.
Rec Outputs (phono sockets) 0dBu nominal. +21dBu maximum.
Frequency Response
Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 20Hz to 20kHz.
Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 30kHz
Stereo in to Mix L/R out +0.5/-1dB 10Hz to 30kHz
THD+n
Mic in to Mix L/R Out, 0dB gain 1kHz +10dBu out 0.004%
Mic in to Mix L/R Out, 30dB gain 1kHz 0.014%
Line in to Mix L/R out 0dB gain 0dBu 1kHz 0.005%
Stereo in to Mix L/R out 0dB gain +10dBu 1kHz 0.003%
Headroom
Analogue Headroom from nominal (0Vu) 21dB
USB in & out headroom from nominal (0Vu) 14dB
USB Audio CODEC (Coder/Decoder)
USB Audio In/Out USB 1.1 compliant 16bit.
Sample Rate 32, 44.1, or 48kHz
Noise
Mic Pre EIN @ max gain 150R input Z 22-22kHz -127dBu
Mix L/R out, L/R faders = 0, 22-22kHz ZED-14 -88dBu
Mix L/R out, L/R faders = 0, 22-22kHz ZED-18 -86dBu
Mix L/R out, L/R faders = 0, 22-22kHz ZED-24 -84dBu
Allen & Heath 12 ZED-14, 18 & 24 User Guide
Dimensions
Weight
Unpacked Packed
ZED-14 6.5kg (14.3 lb) 10.5kg (23.1 lb)
ZED-24 10.5kg (23.1 lb) 15kg (33 lb)
ZED-18 8.5kg (18.7 lb) 13kg (28.6 lb)
92
450
R20
98
43
465mm (18.3 inches)
ZED-24 645mm (25.4 inches)
ZED-14 385mm (15.2 inches)
19” Rack kit for the ZED-14 - Order part number: ZED1402-RK19
19” Rack kit for the ZED-18 - Order part number: ZED1802-RK19
ZED-18 464mm (18.3 inches)
OO
30
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To CH
OO 10
-30
-20
-5
0
5
-10
2TRK
RTN
OO 10
-30
-20
-5
0
5
-10
USB
RTN
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
MUTE
PK !
PFL
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
ON
To LR
To CH
ON
To LR
To CH
ON
ST3
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
LR
BAL =
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST2
MUTE
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
ST1
MUTE
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
POST
PRE
LR
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
STEREO
ST4
ST2 IN
L/M
R
ST3 IN
L/M
R
L/M
R
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
INSERT
16
ST RTN
L
R
2TRK RTN
L
R
REC OUT
L
R
ALT OUT
L
R
INSERT
15
INSERT
14
INSERT
13
INSERT
12
INSERT
11
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
100Hz
12kHz
-15 +15
HF
-15
HM
+15
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
11 12 13 14 15 16 17-18 19-20 21-22 23-24 RL
0
0
0
PHANTOM POWER
ALLEN HEATH
LINE LINE LINE LINE LINE LINE
ST4 IN
ST1 IN
L/M
R
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
-15 +15
80Hz
LF
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
120Hz 4k
200 2k
650
500 1k
3k
POST POST POST POST POST POST POST POST POST POST
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
OO
30
5
10
20
5
0
10
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
10
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
9
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
8
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
7
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
6
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
5
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
4
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
3
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
2
500 1k
3k
POST
OO
30
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
MUTE
1
500 1k
3k
POST
INSERT
10
LINE
INSERT
9
LINE
INSERT
8
LINE
INSERT
7
LINE
INSERT
6
LINE
INSERT
5
LINE
INSERT
4
LINE
INSERT
3
LINE
INSERT
2
LINE
INSERT
1
LINE
MIC
PFLPFLPFLPFLPFLPFLPFLPFLPFLPFLPFL
&
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
Allen & Heath 13 ZED-14, 18 & 24 User Guide
BLOCK DIAGRAM
+
-
GAIN
HM HF
3 BAND EQUALISER
MONO CHANNEL
ZED 14, 18 & 24 BLOCK DIAGRAM
100Hz
MIC IN
PP
FADER
PFL
PEAK
STEREO CHANNEL
AUX1
AUX 2
AUX 3
AUX 4
LF
ST1/2/3/4
R
L
R
L
GAIN
STEREO RETURN
+
+
-
LINE IN
+48V
INSERT
MUTE
PAN
GAIN
LR
SUM HF
2 BAND EQUALISER
LF
FADER
PFL
PEAK
AUX 1
AUX 2
AUX 3
AUX 4
MUTE
BAL
SUM
+
SUM
L INSERT
R INSERT
FADERS
L
R
MONO OUT
MAIN LR
HPF
PFL
AUX 4
AUX 3
AUX 2
AUX 1
R
L
CHAN
MAIN OUT
+
SUM
GLOBAL 48V SWITCH
WIRE PAD
2TRK RTN
ON
STEREO
R
LGAIN LR
CHAN
ON
STEREO CHANNEL 1
STEREO CHANNEL 2
REC OUT
R
LGAIN LR
CHAN
ON
STEREO CHANNEL 3
USB RETURN FROM COMPUTER
RECORD OUT
ALT OUT
R
L
STEREO CHANNEL 4
AUX1
MASTER LEVEL
AUX1 OUT
AUX2
MASTER LEVEL
AUX2 OUT
AUX3 OUT
AUX4 OUT
ALT LEVEL
2 TRK RTN TO MONITOR SELECTION
2TRK RTN
AUX 1-2
AUX 3-4
L-R PRE
USB 1 STEREO I/O
AUX 1
AUX 2
2 TRK RTN
USB RTN
USB
RETURN
USB RETURN
USB DEVICE
PFL ACTIVE
PFL ACTIVE
METERS
MIX POST MONITOR
PHONES
LEVEL
HEADPHONES
PFL/AFL
TO ALT OUT
+
SUM
RECESSED SWITCHES
0dBu NOMINAL
PRIORITY SWITCHING
PRIORITY SWITCHING
RECORD OUT
SOLDER LINK
Allen & Heath 14 ZED-14, 18 & 24 User Guide
MONO INPUT CHANNEL
Mic Input Socket
Standard 3-Pin XLR socket wired as Pin 1=Chassis, Pin 2=hot
(+), Pin 3=Cold (-).
Line Input Jack Socket
Standard 1/4” (6.25mm) Jack socket for balanced or unbalanced line
level signals. Wired Tip=Hot(+), Ring=cold (-), Sleeve=Chassis.
The Line input overrides the Mic input, so if you want to hear
something plugged in to the xlr socket, make sure nothing is
plugged into the Line input.
Insert Jack Socket
Standard 1/4” (6.25mm) Jack socket for unbalanced insert send and
return signals. Wired Tip=send, Ring=return, Sleeve=Chassis.
Nominal level is 0dBu. The insert point is after the 100Hz filter and
before the EQ.
Gain Control
This adjusts the gain of the input amplifier to match the signal level
of the input. The gain is varied from –6dB (attenuation) to +63dB
for signals plugged in to the xlr socket (Mic Input) and –10dB to
+26dB for signals plugged into the Line input jack.
100Hz Hi-pass Filter
The Hi-pass filter is used for reducing pop noise and rum-
ble from microphone signals. It is a 2-pole (12dB per oc-
tave) filter with a corner frequency set at 100Hz.
The filter affects signals from both Mic XLR and Line jack
socket.
10.00 Hz 100.00 1000.00 10000.00 30000.00
-50.00
-40.00
-30.00
-20.00
-10.00
0.00
10.00
dBr
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
INSERT
1
LINE
MIC
G
A
LI
Allen & Heath 15 ZED-14, 18 & 24 User Guide
MONO INPUT CHANNEL
MF EQ
The MF (Mid Frequency) equaliser affects the middle of the audible
frequency range. The frequency graduations on the sweep control
are the centre frequencies of the EQ. The range has been carefully
chosen to cover “boomy” frequencies around 120Hz to 250Hz
which may need cutting back, or a lift at 2 to 3kHz may be required
for microphone intelligibility.
LF EQ
The LF (Low Frequency) equaliser
affects the response at the low end of
the audio range. The graph shows the
response of the LF EQ at maximum
cut and boost. The corner frequency
is 80Hz.
HF EQ
The HF (High Frequency) equaliser affects the frequency response
of the higher audible frequencies. The corner frequency of 12kHz is
around 3dB from the maximum cut or boost of the circuit. It has
plenty of gain and actually gives slightly more that the +/-15dB leg-
end suggests.
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10 20 30
40
50
100Hz
12kHz
-15 +15
HF
120Hz 4k
200 2k
650
-15
HM
+15
-15 +15
80Hz
LF
500 1k
3k
Allen & Heath 16 ZED-14, 18 & 24 User Guide
MONO INPUT CHANNEL
Auxes 1 & 2
Each of these controls sends a signal to an auxiliary bus. The signal is
sourced pre-fade which means that the level is independent of, and unaf-
fected by the fader. Auxes 1 & 2 are primarily used for foldback monitoring
purposes, as the fader does not affect the level. They can also be used as
feeds for recording and are available sources to the USB interface for this
purpose.
These sends are affected by the Mute switch, so muting the channel will also
mute the Aux sends.
The control varies the signal level to the bus from off (fully attenuated) to
+6dB, with unity gain at the arrow.
There are master level controls for the Aux 1 & 2 outputs situated in the
master section of the mixer.
Auxes 3 & 4
These are post-fade sends, which means that the signals are affected by the
channel fader. Primarily used for effects sends, the aux signal will reduce if
the fader is pulled down so keeping the correct proportion of the effect.
Muting the channel will also mute the Aux sends, and the send controls have
6dB gain fully clockwise.
There are no master level controls for Aux 3 & 4 outputs.
PAN
The pan control adjusts how the signal from the mono input channel is
shared between the left and right buses and subsequently the main stereo
outputs. Set to the mid position, equal amounts of signal are fed to left and
right, with pan set to L, none is sent to the Right bus.
PFL Switch & PK! LED
The PFL (Pre-Fade Listen) switch sends the channel signal to the PFL bus
and subsequently to the headphones and the main L R meters. Used for
checking the audio signal before raising the fader or un-muting the channel.
The PK! LED illuminates dimly to indicate the PFL switch is pressed, and
brightly to indicate the channel signal is within 5dB of clipping.
Mute Switch
This mutes or cuts the signal to the left & right buses and the Aux buses. A
rectangular LED illuminates to show the Mute switch is pressed.
Fader
The 100mm fader affects the level of the channel signal to the left & right
buses and Auxes 3 & 4. There is 10dB of gain at the top and the unity gain
position is marked by “0”.
OO
30
5
10
20
5
0
10
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
PAN =
PK !
PFL
MUTE
1
POST
Allen & Heath 17 ZED-14, 18 & 24 User Guide
STEREO INPUT CHANNEL ST1
Stereo Return ON switch
This switches the signal on when pressed in. Leaving the switch in
the up position is recommended when the stereo return input is
not in use to minimise unwanted noise being passed through.
Stereo Return Phono sockets
This is an additional stereo input to the main stereo channel input
(below). The gain is varied by the ST RTN control and this input can
be sent to either the stereo channel or straight to the L R main bus,
depending on the setting of the under-panel switch. These inputs
are unbalanced.
Stereo Return Level control
Adjusts the level of the stereo return input from off (fully attenu-
ated) to maximum where it has 10dB of gain.
Stereo Routing selector switch
This switch selects whether the Stereo Return signal is sent to the L
R bus directly, or the stereo channel 1. When it is pressed in, the
Stereo Return signal sums together with the main stereo input.
Stereo 1 input jack sockets
Standard 1/4” jack sockets for line level stereo signals. Can be used
with a mono input where the L/M input will also connect to the R
input if nothing is plugged in to R.
The Stereo 1 inputs accept unbalanced or balanced signals.
Stereo 1 Level control
Adjusts the level of the ST1 input. The range is from off to +10dB.
Stereo Channel EQ
The Stereo Channel EQ is 2 band with corner frequencies of 12kHz
for the HF and 80Hz for the LF.
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To 7-8
ON
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
ST1
R
T
ST RTN
L
R
ST1 IN
L/M
R
Allen & Heath 18 ZED-14, 18 & 24 User Guide
STEREO INPUT CHANNEL ST1
STEREO Aux 1 & 2 switch
This is an under-panel selector switch that configures Auxes 1 & 2 to be
either mono sends or a stereo send pair.
UP: A mono sum of the left & right stereo channel signal is sent to Aux
buses 1 & 2 by the control knobs.
DOWN: The left stereo channel signal is sent to Aux 1 and the right is
sent to Aux 2 by the control knobs.
Note: This can be useful when setting up a seperate stereo output from
the main L R output using Auxes 1 & 2, possibly for recording. This can be
selected to feed the USB output to create an independent stereo feed for
recording using a computer.
Balance control
The Balance control varies the relative levels between the left and right
channels.
Mute Switch
Mutes the signals to the main L R and the Aux buses.
Aux 1 & 2 sends
These control the level of the signals sent to the Aux 1 & 2 buses. The Aux
1 & 2 send controls are configured either as two mono sends or as a stereo
pair depending on the position of the STEREO switch (please see above).
Auxes 1 & 2 are pre-fade, but muted when the Mute switch is pressed.
There is 6dB of gain at the fully clockwise position.
Aux 3 & 4 sends
These controls take a mono sum of the left & right stereo channel signals
from after the fader and send them to the Aux 3 and Aux 4 buses respec-
tively. They are muted when the Mute switch is pressed and have 6dB of
gain at maximum.
PFL Switch & PK! LED
The Pre-Fade Listen switch takes a mono sum of the stereo channel signals
from before the fader and mute switch. When pressed the signal will appear
on the L R meters and be fed to the headphones circuit for monitoring.
The PK! LED illuminates dimly to indicate the PFL switch is pressed, and
brightly to indicate the channel signal is within 5dB of clipping.
Fader
The 100mm fader affects the level of the channel signal to the left & right
buses and Auxes 3 & 4. There is 10dB of gain at the top and the unity gain
position is marked by “0”.
OO +6
AUX1
PRE
OO +6
AUX2
PRE
OO +6
AUX3
OO +6
AUX4
POST
LR
BAL =
PK !
PFL
STEREO
MUT
E
7-8
POST
OO
30
5
10
20
5
0
10
Allen & Heath 19 ZED-14, 18 & 24 User Guide
STEREO INPUT CHANNELS ST2, 3 & 4 & USB
Stereo Input Channel ST2
The only difference from stereo input channel ST1 is the labelling of the additional stereo input on phono con-
nectors, labelled as 2 Track Return. This is to indicate that a 2 track (stereo) input can be inserted here for
playback of a stereo recording or incidental music.
Stereo Input Channel ST3
Stereo input channel ST3 also has an additional stereo input, but instead of being on phono connectors, it
comes from the USB audio input. The level control, ON switch and routing switch are the same as for stereo
input channel ST1. It is best to leave the ON switch in its UP position when the USB input is not in use. The
phono sockets carry the analogue record output signals that are sourced from the main L R outputs. They are
pre-fade, post L R insert.
Stereo Input Channel ST1
This is stereo input channel ST1 as described on previous pages.
Stereo Input Channel ST4
Stereo input channel ST4 has one stereo input (ST4) on jack sockets. The phono sockets carry the Alternate
stereo output which comes from the selector switches and level control in the master section.
USB connector & output selection.
A standard USB type B connector plugs in here (cable supplied). The three selector switches determine what is
sent on the USB output. They work on a priority system, so that if more than one is pressed the one nearest
the top takes precedence. So if all 3 are pressed, then the Aux 1 & 2 signals would be sent by the USB device.
Please refer to the section describing using the USB audio port for more details.
OO 10
-30
-20
-5
0
5
-10
ST
RTN
To LR
To 7-8
OO 10
-30
-20
-5
0
5
-10
2TRK
RTN
OO 10
-30
-20
-5
0
5
-10
USB
RTN
ON
To LR
To 9-10
ON
To LR
To 11-12
ON
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
ST2 IN
L/M
R
ST3 IN
L/M
R
L/M
R
RT
ST RTN
L
R
2TRK RTN
L
R
REC OUT
L
R
ALT OUT
L
R
P
ST4 INST1 IN
L/M
R
Allen & Heath 20 ZED-14, 18 & 24 User Guide
MASTER SECTION
Aux output jack sockets
Standard 1/4” jack sockets for Aux 1 to 4 outputs. Impedance bal-
anced, nominal level = 0dBu.
Mix L R Insert jack sockets
Standard 1/4” (6.25mm) Jack sockets for unbalanced insert send and
return signals. Wired Tip = send, Ring = return, Sleeve = Chassis.
Nominal level is 0dBu.
Main L R output xlr sockets
Main left & right outputs. Impedance balanced signals, pin1 = chassis,
pin2 = hot (+), pin3 = cold (-). Nominal level = 0dBu.
Mono output jack socket
A mono sum of the main left & right post-fade signals.
Headphones jack sockets
One 1/4” and one 3.5mm jack socket for stereo headphones. Wired
Tip = left, Ring = right, Sleeve = Chassis.
It is recommended that headphones with an impedance higher than
30ohms are used.
48v Phantom Power switch
Press this in to switch 48v Phantom Power to all the Mic input xlr
connectors, if any of the microphones attached require power. Dy-
namic microphones won’t mind being connected to a phantom
powered input, but care is needed to ensure that 48v is not
switched on if an xlr is used to input a signal from an electronic
circuit (ie. Another mixer or keyboard).
When switching 48v on or off, or plugging in connectors to
channels with 48v present, it is important (and normal
practise) to mute the channels. This will avoid loud clicks
and bangs potentially getting through to the amps & speak-
ers with the possible effect of damaging the speakers, or
your audience’s hearing!
Left Right meters
12 segment LED meters, peak type response, the “0” position re-
flects 0dBu at the outputs. These display the signals from the moni-
tor selector switches below, or the PFL (pre-fade listen) signals
from any selected channels, which overrides.
!
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
POST
PRE
LR
L
R
POWER
48V
INSERT R
AUX1 OUT
PHONES
MAIN OUT
0
0
0
PHANTOM POWER
ALLEN HEATH
AUX2 OUT
AUX3 OUT
AUX4 OUT
INSERT L
MONO OUT
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
&
Allen & Heath 21 ZED-14, 18 & 24 User Guide
USB & MASTER SECTION
Alternate output level control
The Alt (Alternate) Output is useful for connecting a pair of moni-
tor speakers separate to the main outputs. The level control adjusts
the volume of the output from off to +6dB.
Headphone level control
Adjusts the level of the headphone signal.
Warning ! To avoid damage to your
hearing do not operate the headphones
or sound system at excessively high
volume. Continued exposure to high
volume sound can cause frequency
selective or wide range hearing loss.
82!
Alternate output selector switches
These under-panel switches select the signal source for the Alt out-
put. They select between the L R pre-fade, L R post-fade or the
monitor L R signals.
Aux 1 & 2 master level controls
For adjusting the level of the Aux 1 and 2 outputs. The range of
level control is from off to +6dB.
Master L R faders
High quality 100mm faders for the main L R outputs. 10dB gain at
the top, unity gain marked at “0”.
Monitor selector switches
These 4 switches select the signal source for the headphones moni-
tor and the meters. They work on a priority basis. If they are all up
then the post-fade main L R signals will feed the monitor circuit, if
USB and 2 TRK are pressed, then only the 2 TRK signals will feed
the monitor circuit. The stereo option of pressing both AUX 1 and
AUX 2 together allows Aux 1 to feed the left and Aux 2 to feed the
right monitor circuit. This is useful if a stereo mix is set up using
Auxes 1 & 2.
OO
30
L
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX1
AUX2
2TRK RTN
USB RTN
STEREO
OO +6
ALT
OUT
MONITOR
LR
OO +6
AUX1
MASTER
OO +6
AUX2
MASTER
5
20
10
5
0
10
POST
PRE
LR
48V
RL
0
0
0
PHANTOM POWER
ALLEN HEATH
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
&
Allen & Heath 22 ZED-14, 18 & 24 User Guide
1
2
USB
AUX1-2
AUX 3-4
LR PRE
UP=LR post
SENDRETURN
R
P
ST4 IN
USB CONNECTION
USB Audio Interface
The ZED is equipped with a stereo bi-directional USB 1.1 compliant audio CODEC. It is fully compliant with USB 2 ports
and uses standard Windows and MAC Core Audio Drivers. In other words, plug it in and your computer will find it and
be able to transfer audio to and from the ZED USB device.
You will need some form of audio software running on your computer to be able to record and play back what you re-
cord, but on a basic level, you can use your computers media player to play straight to the ZED device.
Just a couple of points to look out for:
Windows XP/Vista: When you plug in your ZED USB interface to your computer, if the volume level is low or
inaudible, check the device volume in control panel/Sounds and Audio Devices/Volume. Set the volume to High.
Windows 7: At present, Windows 7 treats the USB audio device as a microphone source instead if a line input, so
set the device volume level much lower, we found setting to 3 is ideal.
If you want to reduce latency (delay) there are some different drivers available for your operating system. Please check the
Allen & Heath website www.allen-heath.com for details and links to third party companies able to supply appropriate driv-
ers for your operating system.
Allen & Heath 23 ZED-14, 18 & 24 User Guide
cakewalk SONAR X1 LE
DIGITAL AUDIO WORKSTATION
SONAR X1 LE Overview.
SONAR X1 LE is a software application from Cakewalk and is included free of charge with your new ZED mixing con-
sole.
SONAR X1 LE is a powerful first step into the world of sequencing and hard disk recording on the Windows platform.
You’ll be able to record from your ZED mixer, create tracks and arrange songs, then play back to your ZED mixer via
the USB port. You can decide whether the SONAR family of products is right for you. If you choose to upgrade your
copy of SONAR X1 LE to a more full-featured version, like SONAR X1 Producer, you’ll now be able to do so at signifi-
cant savings.
We will describe the basic steps of installing the software and getting started here, for more comprehensive help or
technical support please use the Help files in SONAR X1 LE or visit the SONAR LE website:
www.cakewalk.com/Products/SONARLE/
The website will have details on registering your product and upgrading it should you wish. There are also tutorials to
get you started.
SONAR X1 LE Key Features.
• Powered by SONAR X1
• 32 audio tracks
• 64 MIDI tracks
• 8 simultaneous inputs and outputs
• 24-bit/96 kHz audio quality
• 24 simultaneous effects
• 8 simultaneous virtual instruments
• Integrated VST/VSTi support
• Support for ACID™-format loops
• Support for ReWire clients such as Live or Reason
• Active Controller Technology™ automatically maps MIDI keyboards and control surfaces to the parameters you
need most on effects, instruments, volume, pan, and other mix elements
• Edit MIDI directly from the Track View with the Inline Piano Roll View.
• Support for 32-bit and 64-bit versions of Windows 7, Windows Vista, and Windows XP operating systems
SONAR LE Installation.
Put disk into CD or DVD ROM drive and follow instructions on screen.
Register your copy of SONAR LE by accessing the Cakewalk website. Your SONAR LE software will display
its unique serial number. If the installing computer has access to the internet just click “Register”, if not, use
a different computer to access cakewalk.com and register by typing in the serial number.
Allen & Heath 24 ZED-14, 18 & 24 User Guide
SONAR LE will run automatically after installation, or else
click the icon created on the desktop.
To initially configure SONAR X1 LE with ZED:
Create a normal Cakewalk project (an option offered
when starting SONAR).
In Edit/Preferences configure the I/O—enable the USB
Audio CODEC under Devices. This is the ZED interface.
For now, disable any other devices listed, for example the
computer’s internal soundcard listed here.
In SONAR X1 LE different views are available. The Track
view shows audio and MIDI tracks in a timeline aspect and
the Console view shows a mixer style layout. Different
views can be displayed by the “dock” tabs at the bottom of
the screen. On the left is the Track Inspector.
Add an audio track or two clicking Insert/Audio Track.
Tracks can be named by clicking the name box, here we
have named tracks 1&2 ZED-Left and ZED Right.
Configure the inputs for the tracks using the IN/OUT
routing drop-down menu in the Track Inspector. Here we
select LEFT USB Audio to track 1 and RIGHT USB Audio
to track 2. The track outputs are routed to the Master bus
in SONAR.
Select the output for the Master bus in SONAR by clicking
the drop-down arrow in the Inspector and selecting
STEREO USB Audio CODEC which is the ZED USB re-
turn.
In order to check the configuration, enable Input Echo On
(the top right button in the track view header). Play some
audio through your ZED mixer and select the USB send
buttons to the audio signal (for example the L-R mix).
N.B. Do not route the USB return to the L-R mix in your
ZED mixer at this stage—a feedback loop could occur.
You should see the signal on the metering in SONAR LE.
To try a recording, enable the Record buttons on the
tracks and click the main Record button on the transport
toolbar. Recorded audio signal should be displayed in red.
Click stop, or hit the space bar on your keyboard to stop
the recording.
Once you have recorded audio in your SONAR project
you can play it back to the ZED mixer.
De-select the record arm buttons and Input Echo on the
tracks (or you could get both the recorded track signal
AND the live input signal playing, and possibly a feedback
loop).
Press play or hit the spacebar on the keyboard. You should
see the audio being played and levels on the meters in SO-
NAR.
On your ZED mixer, Press USB Rtn ON and turn the level
up to the desired point. Audio should be playing from the
tracks in SONAR to the L-R bus in your ZED.
Allen & Heath 25 ZED-14, 18 & 24 User Guide
CONNECTING A ZED TO PRO TOOLS 9 ON A MAC
1. Connect your ZED mixer to your Mac via USB and power on the mixer.
2. With Pro Tools 9 installed, open Audio MIDI Setup on your Mac. PT9 should have created a Pro Tools
Aggregate I/O folder in the Audio Devices list. The ZED interface should appear as USB Audio CODEC in the
list along with other audio devices in your system. Tick Use to enable the device in PT9. You may need to also
tick Resample in order for the audio data settings to be compatible with your PT9 session.
3. Run Pro Tools 9 and create a new session with
at least two audio tracks. Open the SETUP/
Playback Engine window and select Pro Tools
Aggregate I/O as the Current Engine. Click OK.
4. In PT9 click SETUP and then I/O. Select Output from
the menu and the devices available should appear in a box
labelled PTAI/O (Pro Tools Aggregate I/O). Here you can
create a new output path if one doesn’t exist, name it
(here it’s called ZED Stereo OUT) and tick it to enable.
The output path can be set as stereo or mono channels as
is required.
5. Still in I/O Setup, click the Input tab. Again the input
sources should appear for enabled devices in Pro Tools
Aggregate I/O. Create a new path for the inputs and name
as you prefer. Here we have a stereo input named ZED-
Stereo Input. Note that mono channels can use one
channel of a stereo input path. Make sure the path is
ticked and click OK.
6. Select the inputs and outputs for your tracks in your
session. Here the input for mono Track 1 is selected as
the Left channel from the ZED USB interface. The track
outputs can either be routed to the ZED directly or to a
master bus in Pro Tools and then to the ZED.
7. Finally check the interface and settings are working by recording some audio from the ZED mixer to PT9 and
then play the audio back to the ZED afterwards. Always be wary of audio feedback loops with bi-directional
interface connections which can cause high level audio feedback if signals are routed back to themselves either in
the mixer or in the software system.
Audio MIDI Setup...
If you use Pro Tools 9 and want to connect to your ZED console using a Mac computer, here are
some notes:
Allen & Heath 26 ZED-14, 18 & 24 User Guide
L
CD
fx
KEY:
MICROPHONE SIGNAL
FROM DIRECT BOX
STEREO LINE LEVEL SIGNAL
EFFECTS RETURN (STEREO)
STAGE MONITOR SIGNALS
(LINE LEVEL)
EFFECTS SEND
USB CONNECTION
MAIN PA LINE LEVEL OUT
(LEFT, RIGHT & SUB)
Allen & Heath 30 ZED-14, 18 & 24 User Guide
PRODUCT SUPPORT
Investigate ALLEN & HEATH’s other ranges at www.allen-heath.com
Large Live Sound mixers — iLive digital and GL Series
Small Format Live Sound mixers — ZED, MixWizards and PA Series
DJ products — Xone Series
Sound Management Series — iDR Series
Registering your product
Thank you for buying the Allen & Heath ZED-14, 18 or 24 mixer. We hope that you are happy with it and that
you enjoy many years of faithful service with it.
Please go to www.allen-heath.com/register.asp and register your product’s serial number and your details. By reg-
istering with us and becoming an official Registered User, you will ensure that any warranty claim you might make
is actioned quickly and with the minimum delay.
Alternatively, you may either copy or cut off this section of the page, fill in the details, and return it by mail to:
Allen & Heath Ltd, Kernick Industrial Estate, Penryn, Cornwall TR10 9LU, UK
Especificaciones del producto
| Marca: | Allen-Heath |
| Categoría: | consola de mezclas |
| Modelo: | ZED18 |
¿Necesitas ayuda?
Si necesitas ayuda con Allen-Heath ZED18 haz una pregunta a continuación y otros usuarios te responderán
consola de mezclas Allen-Heath Manuales
14 Julio 2024
consola de mezclas Manuales
- consola de mezclas Electrolux
- consola de mezclas Bosch
- consola de mezclas Philips
- consola de mezclas Inventum
- consola de mezclas JBL
- consola de mezclas Kenwood
- consola de mezclas Krups
- consola de mezclas Pioneer
- consola de mezclas Siemens
- consola de mezclas Yamaha
- consola de mezclas Alpina
- consola de mezclas Alecto
- consola de mezclas Akai
- consola de mezclas Arendo
- consola de mezclas American Audio
- consola de mezclas Alto
- consola de mezclas ADB
- consola de mezclas Severin
- consola de mezclas Nedis
- consola de mezclas Korona
- consola de mezclas Black And Decker
- consola de mezclas KitchenAid
- consola de mezclas Tristar
- consola de mezclas Domo
- consola de mezclas Nordland
- consola de mezclas Pyle
- consola de mezclas Hyundai
- consola de mezclas Bestron
- consola de mezclas Moulinex
- consola de mezclas Melissa
- consola de mezclas Clatronic
- consola de mezclas Fritel
- consola de mezclas Taurus
- consola de mezclas Cuisinart
- consola de mezclas Concept
- consola de mezclas Solac
- consola de mezclas Sunbeam
- consola de mezclas Stirling
- consola de mezclas Audio-Technica
- consola de mezclas Mesko
- consola de mezclas Gemini
- consola de mezclas Toa
- consola de mezclas Roland
- consola de mezclas ART
- consola de mezclas Denon
- consola de mezclas Vonyx
- consola de mezclas Philco
- consola de mezclas Korg
- consola de mezclas LD Systems
- consola de mezclas Marquant
- consola de mezclas Bogen
- consola de mezclas Technics
- consola de mezclas Koenic
- consola de mezclas Steren
- consola de mezclas Allen & Heath
- consola de mezclas Bose
- consola de mezclas Exquisit
- consola de mezclas Proline
- consola de mezclas Mackie
- consola de mezclas Envivo
- consola de mezclas Bomann
- consola de mezclas RCF
- consola de mezclas Ion
- consola de mezclas Pyle Pro
- consola de mezclas Peavey
- consola de mezclas Behringer
- consola de mezclas PreSonus
- consola de mezclas Valcom
- consola de mezclas Tascam
- consola de mezclas Midas
- consola de mezclas Auna
- consola de mezclas Blaze
- consola de mezclas IDance
- consola de mezclas Samson
- consola de mezclas Bifinett
- consola de mezclas Primo
- consola de mezclas Shure
- consola de mezclas QTX
- consola de mezclas Konig
- consola de mezclas Reloop
- consola de mezclas Numark
- consola de mezclas Chandler
- consola de mezclas Wharfedale
- consola de mezclas Soundcraft
- consola de mezclas Fredenstein
- consola de mezclas Swissonic
- consola de mezclas Team
- consola de mezclas Dynacord
- consola de mezclas ProfiCook
- consola de mezclas QSC
- consola de mezclas Omnitronic
- consola de mezclas Roadstar
- consola de mezclas Scott
- consola de mezclas Efbe-schott
- consola de mezclas Apart
- consola de mezclas Radial Engineering
- consola de mezclas ATen
- consola de mezclas Showtec
- consola de mezclas Turmix
- consola de mezclas Russound
- consola de mezclas Skytec
- consola de mezclas DBX
- consola de mezclas Waves
- consola de mezclas Monoprice
- consola de mezclas Ibiza Sound
- consola de mezclas Elysia
- consola de mezclas Proel
- consola de mezclas HQ Power
- consola de mezclas Solid State Logic
- consola de mezclas OSD Audio
- consola de mezclas Crestron
- consola de mezclas Adastra
- consola de mezclas Zolid
- consola de mezclas Dash
- consola de mezclas Stanton
- consola de mezclas TeachLogic
- consola de mezclas Power Dynamics
- consola de mezclas Citronic
- consola de mezclas Kalorik
- consola de mezclas SPL
- consola de mezclas Monacor
- consola de mezclas Warm Audio
- consola de mezclas Martin
- consola de mezclas Audiophony
- consola de mezclas JB Systems
- consola de mezclas Sonifex
- consola de mezclas Manley
- consola de mezclas DAP Audio
- consola de mezclas Redmond
- consola de mezclas Extron
- consola de mezclas Ashly
- consola de mezclas Dangerous Music
- consola de mezclas Venga
- consola de mezclas Crown
- consola de mezclas Dateq
- consola de mezclas Speco Technologies
- consola de mezclas Avid
- consola de mezclas M-GAME
- consola de mezclas Ecler
- consola de mezclas Flama
- consola de mezclas Icon
- consola de mezclas Stagg
- consola de mezclas Santos
- consola de mezclas TC Helicon
- consola de mezclas Kramer
- consola de mezclas Fun Generation
- consola de mezclas Karma
- consola de mezclas ANT
- consola de mezclas IMG Stage Line
- consola de mezclas Atlas Sound
- consola de mezclas Rane
- consola de mezclas Nektar
- consola de mezclas Phonic
- consola de mezclas Koda
- consola de mezclas JTS
- consola de mezclas RCS
- consola de mezclas Klark Teknik
- consola de mezclas Sound Devices
- consola de mezclas DAP
- consola de mezclas Alfatron
- consola de mezclas CAD Audio
- consola de mezclas Trident
- consola de mezclas Rolls
- consola de mezclas Heritage Audio
- consola de mezclas IMG Stageline
- consola de mezclas The T.mix
- consola de mezclas Inter-M
- consola de mezclas Cloud
- consola de mezclas Bellari
- consola de mezclas OWI
- consola de mezclas Glemm
- consola de mezclas Røde
Últimos consola de mezclas Manuales
27 Octubre 2024
27 Octubre 2024
27 Octubre 2024
23 Octubre 2024
21 Octubre 2024
20 Octubre 2024
20 Octubre 2024
20 Octubre 2024
20 Octubre 2024
20 Octubre 2024